|Condition||Normal Wear & Tear|
•2 x 8 position color wheels plus open
•Gobo animationshjul med fuld bevęgelse/retningskontrol
•Strobe effekt: 10 Hz
•Pan og tilt: 540°/246°
2 lamps need some maintenance.
CueStep for Windows V2.0 provides a way to organise and perform shows using cues. Cues can be organised into files to reflect your particular requirements, for example, one cue file per song, per act, etc.Here are the main features of CueStep for Windows V2.0.Unlimited number of cues per file. You can organise your files to...
Yamaha has released an iPad app that allows you to remote control your Yamaha M7CL-32 or M7CL-48 console. Version 2 has just been released and allows control of head amp gain for each input channel and adds scene memory management. StageMix provides remote control of M7CL functions via a simple, intuitive graphical interfac...
In conjunction with the official InterBee Show announcement today by Yamaha Corporation Japan, Yamaha Commercial Audio Systems, Inc. announces the development of the MY8-LAKE processing card, designed exclusively for Yamaha digital products. The new card, to be distributed worldwide by Yamaha, adds cutting edge Lake Technol...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.