Martin
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| Quantity | 20 |
| Condition | Normal Wear & Tear |
| Location | Europe |
| Previous Use | Touring |
| Warranty | 30 Day |
•CMY color mixing system
•4 position color wheels plus open
•Strobe effekt: 8 Hz
•18°, 25° (standard) and 65° lens options
•Pan og tilt: 440°/306°
2 lamps need some maintenance
Dual flightcase
HDQ-4K35 |
| Barco |
| All HDQ-4K35 |
| 3 Available |
| $34,000 USD |
| €29.529 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
| View » |
VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
| View » |
MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
| View » |
J-Series |
| db audiotechnik |
| All J-Series |
| 1 Available |
| $302,200 USD |
| €249.750 EUR |
| View » |
WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
| View » |
VT4882 |
| JBL |
| All VT4882 |
| 4 Available |
| $1,000 USD |
| €868 EUR |
| View » |
KIVA |
| L-Acoustics |
| All KIVA |
| 60 Available |
| $1,597 USD |
| €1.320 EUR |
| View » |
Alpha Beam 1500 |
| Clay Paky |
| All Alpha Beam 150... |
| 16 Available |
| $1,815 USD |
| €1.500 EUR |
| View » |
KUDO |
| L-Acoustics |
| All KUDO |
| 12 Available |
| $2,000 USD |
| €1.737 EUR |
| View » |
Color Force 72 |
| Chroma Q |
| All Color Force 72 |
| 30 Available |
| $2,195 USD |
| €1.906 EUR |
| View » |
VL3500 Wash |
| Vari-Lite |
| All VL3500 Wash |
| 27 Available |
| $2,831 USD |
| €2.340 EUR |
| View » |
VT4889 |
| JBL |
| All VT4889 |
| 6 Available |
| $2,490 USD |
| €2.163 EUR |
| View » |
Sharpy Wash 330 |
| Clay Paky |
| All Sharpy Wash 33... |
| 19 Available |
| $2,520 USD |
| €2.189 EUR |
| View » |
VL3500 Spot |
| Vari-Lite |
| All VL3500 Spot |
| 30 Available |
| $3,845 USD |
| €3.339 EUR |
| View » |
SuperSharpy 2 |
| Clay Paky |
| All SuperSharpy 2 |
| 8 Available |
| $4,864 USD |
| €4.020 EUR |
| View » |
M7CL-48 |
| Yamaha |
| All M7CL-48 |
| 2 Available |
| $5,566 USD |
| €4.600 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 12 Available |
| $5,200 USD |
| €4.516 EUR |
| View » |
ScreenPro II HD Switcher and... |
| Barco |
| All Screen Pro II ... |
| 1 Available |
| $5,625 USD |
| €4.885 EUR |
| View » |
Scenius Spot |
| Clay Paky |
| All Scenius Spot |
| 9 Available |
| $7,139 USD |
| €5.900 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
| View » |
VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
| View » |
MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
| View » |
WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
| View » |
Alpha Beam 1500 |
| Clay Paky |
| All Alpha Beam 150... |
| 16 Available |
| $1,815 USD |
| €1.500 EUR |
| View » |
VL3500 Wash |
| Vari-Lite |
| All VL3500 Wash |
| 27 Available |
| $2,831 USD |
| €2.340 EUR |
| View » |
Sharpy Wash 330 |
| Clay Paky |
| All Sharpy Wash 33... |
| 19 Available |
| $2,520 USD |
| €2.189 EUR |
| View » |
VL3500 Spot |
| Vari-Lite |
| All VL3500 Spot |
| 30 Available |
| $3,845 USD |
| €3.339 EUR |
| View » |
HDQ-4K35 |
| Barco |
| All HDQ-4K35 |
| 3 Available |
| $34,000 USD |
| €29.529 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
| View » |
VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
| View » |
MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
| View » |
J-Series |
| db audiotechnik |
| All J-Series |
| 1 Available |
| $302,200 USD |
| €249.750 EUR |
| View » |
WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
| View » |
VT4882 |
| JBL |
| All VT4882 |
| 4 Available |
| $1,000 USD |
| €868 EUR |
| View » |
KIVA |
| L-Acoustics |
| All KIVA |
| 60 Available |
| $1,597 USD |
| €1.320 EUR |
| View » |
Solaris is proud to announce that Jerad Garza has been hired and chosen to head all European sales. Jerad Garza is a seasoned veteran in the industry, and at 35, has basically worked in the entertainment lighting and sound industries his whole life. Experience aside, Jerad brings enthusiasm, expertise, courtesy, and integri...
Solaris wrote an article for Worship AVL Asia in regards to setting the standard on proper international shipping of pre-owned and used stage lighting, audio and video equipment. You can read the articlehere.
Yamaha has released an iPad app that allows you to remote control your Yamaha M7CL-32 or M7CL-48 console. Version 2 has just been released and allows control of head amp gain for each input channel and adds scene memory management. StageMix provides remote control of M7CL functions via a simple, intuitive graphical interfac...
Solaris will be exhibiting at WFX at booth 1144. Houses of worship make up a large portion of our client base and we have been helping churches acquier excellent equipment on the budget that works for them. Let us show you how we can double your inventory for your budget.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.