|Condition||Normal Wear & Tear|
•CMY color mixing system
•4 position color wheels plus open
•Strobe effekt: 8 Hz
•18°, 25° (standard) and 65° lens options
•Pan og tilt: 440°/306°
2 lamps need some maintenanceFind It on UsedLighting.com
The Application wizard provides a variety of drawing types to help you get started quickly. Whether you are drawing a building, an office layout, or a mechanical part, the Application wizard configures the drawing environment by setting drawing scale, units, and toolbars. In some cases it even starts the drawing.Getting Sta...
RoboLite Services specializes in repair of Coemar moving lights and is the only exclusive repair center in North America for Coemar. This facility is stocks all major Coemar parts for repairs. All categories of Coemar equipment are included in repairs from LED lights, moving lights andarchitecturalfixtures.
Kiev's Olympic Stadium, which will host several international matches in next year's UEFA European Football Championship 2012, has had a top of the range L-ACOUSTICS K1 WST line source system installed as part of itspreparationsfor the tournament next summer.Vlad Voloshuk, coordinator of the Euro 2012 finals, invited top so...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.