|Condition||Normal Wear & Tear|
•CMY color mixing system
•4 position color wheels plus open
•Strobe effekt: 8 Hz
•18°, 25° (standard) and 65° lens options
•Pan og tilt: 440°/306°
2 lamps need some maintenance
Producers of the famed TV game show Wheel of Fortune adopted an L-ACOUSTICS KARA system for the filming of 15 episodes of the show on location in New Orleans,Louisiana.Filming took place last month over a period of three days - with the 15 episodes said to be enough for three weeks worth of the show's broadcasts - in front ...
DataCAD is a professional-level AEC CADD program for architectural design, photo-realistic rendering, animation, and construction document creation. Developed by architects and software engineers for architecture, DataCAD includes tools that make design and drafting easier, such as automatic door and window insertion, assoc...
Solaris is proud to announce Steve Smith as the new sales manager for US & International sales. Steve comes to Solaris with many years of sales and sales management experience for various financial institutions. He offers our customers personal attention in their quest to locate the proper equipment based on their needs.
The annual Ledreborg Slotskoncerter festival in Denmark has marked the 12th successive year in which L-ACOUSTICS systems have been used for the event. Hosted by Denmark's National Chamber Orchestra and featuring various national and international guest performers, the concert is one of the biggest outdoor events of its kind...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.