Martin
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View more Moving Lights
Quantity | 20 |
Condition | Normal Wear & Tear |
Location | Europe |
Previous Use | Touring |
Warranty | 30 Day |
•CMY color mixing system
•4 position color wheels plus open
•Strobe effekt: 8 Hz
•18°, 25° (standard) and 65° lens options
•Pan og tilt: 440°/306°
2 lamps need some maintenance
Dual flightcase
HDQ-4K35 |
Barco |
All HDQ-4K35 |
3 Available |
$34,000 USD |
€29.529 EUR |
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MAC Quantum Profile |
Martin Professional |
All MAC Quantum Pr... |
26 Available |
$3,812 USD |
€3.150 EUR |
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VL4000 Spot |
Vari-Lite |
All VL4000 Spot |
60 Available |
$3,795 USD |
€3.296 EUR |
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MAC Viper Performance |
Martin Professional |
All MAC Viper Perf... |
30 Available |
$7,395 USD |
€6.423 EUR |
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J-Series |
db audiotechnik |
All J-Series |
1 Available |
$302,200 USD |
€249.750 EUR |
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WildBeam |
Ayrton |
All WildBeam |
100 Available |
$990 USD |
€860 EUR |
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VT4882 |
JBL |
All VT4882 |
4 Available |
$1,000 USD |
€868 EUR |
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KIVA |
L-Acoustics |
All KIVA |
60 Available |
$1,597 USD |
€1.320 EUR |
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Alpha Beam 1500 |
Clay Paky |
All Alpha Beam 150... |
16 Available |
$1,815 USD |
€1.500 EUR |
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KUDO |
L-Acoustics |
All KUDO |
12 Available |
$2,000 USD |
€1.737 EUR |
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Color Force 72 |
Chroma Q |
All Color Force 72 |
30 Available |
$2,195 USD |
€1.906 EUR |
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VL3500 Wash |
Vari-Lite |
All VL3500 Wash |
27 Available |
$2,831 USD |
€2.340 EUR |
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VT4889 |
JBL |
All VT4889 |
6 Available |
$2,490 USD |
€2.163 EUR |
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Sharpy Wash 330 |
Clay Paky |
All Sharpy Wash 33... |
19 Available |
$2,520 USD |
€2.189 EUR |
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VL3500 Spot |
Vari-Lite |
All VL3500 Spot |
30 Available |
$3,845 USD |
€3.339 EUR |
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SuperSharpy 2 |
Clay Paky |
All SuperSharpy 2 |
8 Available |
$4,864 USD |
€4.020 EUR |
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M7CL-48 |
Yamaha |
All M7CL-48 |
2 Available |
$5,566 USD |
€4.600 EUR |
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MAC Quantum Profile |
Martin Professional |
All MAC Quantum Pr... |
12 Available |
$5,200 USD |
€4.516 EUR |
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ScreenPro II HD Switcher and... |
Barco |
All Screen Pro II ... |
1 Available |
$5,625 USD |
€4.885 EUR |
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Scenius Spot |
Clay Paky |
All Scenius Spot |
9 Available |
$7,139 USD |
€5.900 EUR |
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MAC Quantum Profile |
Martin Professional |
All MAC Quantum Pr... |
26 Available |
$3,812 USD |
€3.150 EUR |
View » |
VL4000 Spot |
Vari-Lite |
All VL4000 Spot |
60 Available |
$3,795 USD |
€3.296 EUR |
View » |
MAC Viper Performance |
Martin Professional |
All MAC Viper Perf... |
30 Available |
$7,395 USD |
€6.423 EUR |
View » |
WildBeam |
Ayrton |
All WildBeam |
100 Available |
$990 USD |
€860 EUR |
View » |
Alpha Beam 1500 |
Clay Paky |
All Alpha Beam 150... |
16 Available |
$1,815 USD |
€1.500 EUR |
View » |
VL3500 Wash |
Vari-Lite |
All VL3500 Wash |
27 Available |
$2,831 USD |
€2.340 EUR |
View » |
Sharpy Wash 330 |
Clay Paky |
All Sharpy Wash 33... |
19 Available |
$2,520 USD |
€2.189 EUR |
View » |
VL3500 Spot |
Vari-Lite |
All VL3500 Spot |
30 Available |
$3,845 USD |
€3.339 EUR |
View » |
HDQ-4K35 |
Barco |
All HDQ-4K35 |
3 Available |
$34,000 USD |
€29.529 EUR |
View » |
MAC Quantum Profile |
Martin Professional |
All MAC Quantum Pr... |
26 Available |
$3,812 USD |
€3.150 EUR |
View » |
VL4000 Spot |
Vari-Lite |
All VL4000 Spot |
60 Available |
$3,795 USD |
€3.296 EUR |
View » |
MAC Viper Performance |
Martin Professional |
All MAC Viper Perf... |
30 Available |
$7,395 USD |
€6.423 EUR |
View » |
J-Series |
db audiotechnik |
All J-Series |
1 Available |
$302,200 USD |
€249.750 EUR |
View » |
WildBeam |
Ayrton |
All WildBeam |
100 Available |
$990 USD |
€860 EUR |
View » |
VT4882 |
JBL |
All VT4882 |
4 Available |
$1,000 USD |
€868 EUR |
View » |
KIVA |
L-Acoustics |
All KIVA |
60 Available |
$1,597 USD |
€1.320 EUR |
View » |
256 DMX fixtures 32 channels each12 groups fixtures assign.Parallel running of the 4 tracks (32 scenes each) in each group.Cycle, Rebound and Single modes of the scenes run.Manual positioning between scenes.Adjustable Time and Fade-OUT for each scene.Extra tracks for all fixtures:DMX input (1 scene), Timecode (512 scenes), ...
Yamaha has released an iPad app that allows you to remote control your Yamaha M7CL-32 or M7CL-48 console. Version 2 has just been released and allows control of head amp gain for each input channel and adds scene memory management. StageMix provides remote control of M7CL functions via a simple, intuitive graphical interfac...
Legendary Ukrainian soccer team Shakhtar Donetsk marked their recent 75th anniversary celebrations with a huge night of entertainments at its Donbass Arena, which drew more than 50,000 fans as well as the country's incumbent president,Viktor Yanukovich.Star of the show was the US R&B diva, Rihanna, who performed a number of...
The biggest night in the Canadian music industry is the Juno Awards, and so it was fitting that for 2011's edition that show organizers chose anL-ACOUSTICSK1 loudspeaker system to deliver the best possible acoustic experience for the 20,000 audience in attendance.Held at the Air Canada Center, the show featured epic perform...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.