|Condition||Normal Wear & Tear|
•CMY color mixing system
•4 position color wheels plus open
•Strobe effekt: 8 Hz
•18°, 25° (standard) and 65° lens options
•Pan og tilt: 440°/306°
2 lamps need some maintenance
The state-of-the-art D-Cube Art Center in Seoul, Korea, has been equipped with a top of the line XTi Architectural Series, comprising aK1 WST line source and XTi coaxial system in what is the first permanentinstalmentinside a K1 theatre system anywhere in the world.The 1,250 seat art center, situated in the futuristic D-Cub...
Legendary Ukrainian soccer team Shakhtar Donetsk marked their recent 75th anniversary celebrations with a huge night of entertainments at its Donbass Arena, which drew more than 50,000 fans as well as the country's incumbent president,Viktor Yanukovich.Star of the show was the US R&B diva, Rihanna, who performed a number of...
Duran Duran's long time FOH engineer, Snake Newton, ran with Adamson's Project Energia for the bands recentNorth American tour. The 6 week tour was a build up for Duran Duran's "All You Need is Now" album due for release in early 2012. Energia Beta partner, Eighth Day Sound out of Cleveland, provided PA and the crew for a...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.