Martin
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| Quantity | 24 |
| Condition | Normal Wear & Tear |
| Location | Europe |
| Previous Use | Touring |
| Warranty | 30 Day |
24 lamps in total.
18 lamps in good shape.
6 lamps needs some maintenance.
Dual flightcase.
HDQ-4K35 |
| Barco |
| All HDQ-4K35 |
| 3 Available |
| $34,000 USD |
| €29.529 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
| View » |
VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
| View » |
MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
| View » |
J-Series |
| db audiotechnik |
| All J-Series |
| 1 Available |
| $302,200 USD |
| €249.750 EUR |
| View » |
WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
| View » |
VT4882 |
| JBL |
| All VT4882 |
| 4 Available |
| $1,000 USD |
| €868 EUR |
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KIVA |
| L-Acoustics |
| All KIVA |
| 60 Available |
| $1,597 USD |
| €1.320 EUR |
| View » |
Alpha Beam 1500 |
| Clay Paky |
| All Alpha Beam 150... |
| 16 Available |
| $1,815 USD |
| €1.500 EUR |
| View » |
KUDO |
| L-Acoustics |
| All KUDO |
| 12 Available |
| $2,000 USD |
| €1.737 EUR |
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Color Force 72 |
| Chroma Q |
| All Color Force 72 |
| 30 Available |
| $2,195 USD |
| €1.906 EUR |
| View » |
VL3500 Wash |
| Vari-Lite |
| All VL3500 Wash |
| 27 Available |
| $2,831 USD |
| €2.340 EUR |
| View » |
VT4889 |
| JBL |
| All VT4889 |
| 6 Available |
| $2,490 USD |
| €2.163 EUR |
| View » |
Sharpy Wash 330 |
| Clay Paky |
| All Sharpy Wash 33... |
| 19 Available |
| $2,520 USD |
| €2.189 EUR |
| View » |
VL3500 Spot |
| Vari-Lite |
| All VL3500 Spot |
| 30 Available |
| $3,845 USD |
| €3.339 EUR |
| View » |
SuperSharpy 2 |
| Clay Paky |
| All SuperSharpy 2 |
| 8 Available |
| $4,864 USD |
| €4.020 EUR |
| View » |
M7CL-48 |
| Yamaha |
| All M7CL-48 |
| 2 Available |
| $5,566 USD |
| €4.600 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 12 Available |
| $5,200 USD |
| €4.516 EUR |
| View » |
ScreenPro II HD Switcher and... |
| Barco |
| All Screen Pro II ... |
| 1 Available |
| $5,625 USD |
| €4.885 EUR |
| View » |
Scenius Spot |
| Clay Paky |
| All Scenius Spot |
| 9 Available |
| $7,139 USD |
| €5.900 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
| View » |
VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
| View » |
MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
| View » |
WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
| View » |
Alpha Beam 1500 |
| Clay Paky |
| All Alpha Beam 150... |
| 16 Available |
| $1,815 USD |
| €1.500 EUR |
| View » |
VL3500 Wash |
| Vari-Lite |
| All VL3500 Wash |
| 27 Available |
| $2,831 USD |
| €2.340 EUR |
| View » |
Sharpy Wash 330 |
| Clay Paky |
| All Sharpy Wash 33... |
| 19 Available |
| $2,520 USD |
| €2.189 EUR |
| View » |
VL3500 Spot |
| Vari-Lite |
| All VL3500 Spot |
| 30 Available |
| $3,845 USD |
| €3.339 EUR |
| View » |
HDQ-4K35 |
| Barco |
| All HDQ-4K35 |
| 3 Available |
| $34,000 USD |
| €29.529 EUR |
| View » |
MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
| View » |
VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
| View » |
MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
| View » |
J-Series |
| db audiotechnik |
| All J-Series |
| 1 Available |
| $302,200 USD |
| €249.750 EUR |
| View » |
WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
| View » |
VT4882 |
| JBL |
| All VT4882 |
| 4 Available |
| $1,000 USD |
| €868 EUR |
| View » |
KIVA |
| L-Acoustics |
| All KIVA |
| 60 Available |
| $1,597 USD |
| €1.320 EUR |
| View » |
A special one-day event to mark the occasion of the 2011 UEFA Champions League Final staged at London's Wembley Stadium saw the deployment of an L-ACOUSTICS KUDO system at the smaller Wembley Arena venue.Hosting the football-themed event was Club Wembley, the hospitality sector of Wembley Group, on the behalf of UEFA.The ev...
Locate 1300 + gels & dichroicsMatch any of 1300+ colorsMix any 2 or 3 colors, see results!Choose from your inventory or from 1300+ colors, 9 manufacturersAvailable only for IBM compatiblesA breakthrough for the lighting industry, the GelFile is a database of technical and visual information about color filters, The Gelfile ...
256 DMX fixtures 32 channels each12 groups fixtures assign.Parallel running of the 4 tracks (32 scenes each) in each group.Cycle, Rebound and Single modes of the scenes run.Manual positioning between scenes.Adjustable Time and Fade-OUT for each scene.Extra tracks for all fixtures:DMX input (1 scene), Timecode (512 scenes), ...
To match our explosive growth this year the Solaris website has been upgraded to match our professional service and level of quality you expect from the world leader in pre-owned equipment.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.