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Dynacord
View more Wave
View more Input and Output Processors
| Quantity | 1 |
| Condition | Normal Wear & Tear |
| Location | Europe |
| Previous Use | Rentals |
| Warranty | 30 Day |
Normal wear and tear. Used on various rentals.
(2) Dynacord Wave V12-60P top
(2) Dynacord Wave V17-PWH sub
(2) Dynacord Wave V18-PWH sub
VCA-12
Dynacord DSP244 processor
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The MANLEY brand has been around since the late 1980's. Manley's first commercially available products were upper echelon high-fidelity vacuum tube amplifiers and preamplifiers constructed at the old Vacuum Tube Logic of America factory. In...
The "Visual Emulator" creates a 3D view of your light show, even if no real fixtures are connected. The colored moving beams of the fixtures gives you the possibility to preprogram your show. Place environmental objects like truss, stages, DJ booths speaker boxes and many more. Import possiblity for 3DS files Create tilt-wa...
The "Visual Emulator" creates a 3D view of your light show, even if no real fixtures are connected. The colored moving beams of the fixtures gives you the possibility to preprogram your show. Place environmental objects like truss, stages, DJ booths speaker boxes and many more. Import possiblity for 3DS files Create tilt-wa...
L-ACOUSTICS is proud to introduce the new ARCS II constant curvature line source, the latest offering in its line up of line source solutions.Unveiled at the PLASA Hall 1, F24, the new ARCS II features a unique design that exploits the L-ACOUSTICS Wavefront Sculpture Technology to the fullest, deliveringoutstandingpower, co...
Locate 1300 + gels & dichroicsMatch any of 1300+ colorsMix any 2 or 3 colors, see results!Choose from your inventory or from 1300+ colors, 9 manufacturersAvailable only for IBM compatiblesA breakthrough for the lighting industry, the GelFile is a database of technical and visual information about color filters, The Gelfile ...
The WAVE is a unique product combining a killer 24/96 Digital to Analog Converter with a full-featured audiophile analog vacuum tube preamplifier. It is one of the very few products equally at home as the heart of a professional Mastering studio facility as it is as the centerpiece of an audiophile home system. The combination of features and functions came about from analyzing existing systems and finding them functional but lacking in elegance in signal flow, operational convenience, and synergy. We set out to build something we wanted in our own living rooms, something that could be upgraded as new standards evolved, and something that could be flexible to work with mixed balanced, unbalanced, analog, and digital connections. A swiss army knife of sorts...
The digital board used in the first generation units, (the "First Waves" as it were) was designed around the ULTRAANALOG 20-bit DACs, the AES-21 jitter reduction input module, and the Pacific Microsonics HDCD decoder. This chipset ruled the 1990's audiophile digital world. In early 2002 we commissioned an excellent 24 bit, 96KHz DAC board design from talented designer Fred Forssell for the second generation units, in current production as of this writing. The WAVE accepts four digital inputs in the following formats: AES, SPDIF, TOSLINK, and ST Glass Fiber. The four analog inputs come as stock 2 RCA + 2 XLR. Other configurations can be custom-ordered as desired. To provide extra flexibility in system integration, we have included an Insert Loop (term borrowed from the Recording studio world) perhaps more commonly referred to as a Tape Loop or Processor Loop in Audiophile-land. Three outputs are provided: outputs 2 and 3 can be switched; output 1 is always on.
The MANLEY brand has been around since the late 1980's. Manley's first commercially available products were upper echelon high-fidelity vacuum tube amplifiers and preamplifiers constructed at the old Vacuum Tube Logic of America factory. In this history lesson, we'd like to direct special focus on our people at Manley Labs. The people whose years of dedication, service, and expertise bring you people, our customers, these products. It's all about the people... On January 30, 1989, a 20 year old EveAnna on sabbatical from her studies at Columbia University met the crew and was hired on to the production team. Baltazar Hernandez, already with two years experience, taught her how to solder in those first few days. It was in 1989 that the first Manley professional products were developed, starting with the original 1u Reference 60dB Microphone Preamplifier and soon followed by our Manley Enhanced Pultec and Mid Frequency Equalizers. Baltazar and EveAnna, busy building gear, were soon joined by Saulo and Ramiro Montalvo. Just next door, Elias Guzman was employed by a printed circuit board maker later brought into the Manley Labs fold when in 1993, Manley Laboratories, Inc. became a separate entity apart from VTL. The new Manley Labs factory at 13880 Magnolia Ave. in beautiful and bovine Chino, California was outfitted to house the Manley HiFi and Pro Studio manufacturing as well as the Langevin production lines, our newly acquired machine shop, and printed circuit board facilities.
Input/output processors are used for multichannel sound recording in real time. Capable of studio-grade fidelity, these specialized soundcards are used in professional sound engineering and make use of an audio stream input output protocol. These kinds of I/O audio processor soundcards are fitted with multiple input and output connections, usually USB, FireWire or some kind of optical interface so that a larger amount of data can be carried than with a normal sound card. Input/output processors also emphasize higher fidelity and sampling rates, as they are intended for real-time audio mixing and multi-channel recording. Due to their highly specialized nature, input/output processors are not considered practical for home users, as they lack certain features common in consumer soundcards, such as real-time ambience effects, environmental audio extensions and the ability to accelerate hardware in video games, as these are considered to be undesirable. Input/output processors feature a specially designed protocol that is capable of handling numerous inputs and outputs for audio, as consumer soundcards have a sampling latency that is comparatively large, and therefore unsuitable for professional applications. Consumer soundcards simply take too long to convert and transfer a sound sample to the hard drive of a computer, and they are also limited in the amount of bit depths and effective sampling rates they can process. Input/output processors typically have multiple channels, rather than just the two provided on most consumer soundcards, and there connectors are more accessible.
