|Condition||Normal Wear & Tear|
•CMY color mixing system
•4 position color wheels plus open
•Strobe effekt: 8 Hz
•18°, 25° (standard) and 65° og 80° lens options
•Pan og tilt: 440°/306°
Specialist installation engineers have completed theinstallationof a a new L-Acoustics XTi sound system at theSmithton-Culloden & Nairn Free Church, a newly-built chapel in Inverness, Scotland.The chapel, which frequently sees 400+worshippersin attendance, was mapped using the L-ACOUSTICS Soundvision software in order to co...
Adamson Systems Engineering is proud to announce the commencement of the much anticipated Project Energia. The project was conceived after years of analyzing the inefficiencies found in Sound Re-enforcement and with Performance Venue Optimization. The key components of Energia, include a series of new loudspeaker systems,...
"Being new to Solaris I have enjoyed all the help that their staff has provided to me and others that I work with. Listing with Solaris is very simple, and all the folks over there are very quick at responding to any requests that I have had. Thanks for the help guys!"
The historic Max Littman Saal concert hall in the German city of Bad Kissingen has just received a tremendous sound-booster: In the form of aKIVA WST modular line source system that has just been newly installed.The 98-year old concert hall is able toaccommodateup to 1,160 people and hosts all manner of events in the city, ...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.