|Condition||Excellent / Few Scratches|
HES Shapeshifter C1 - Lightly used on demos. Excellent shape still under factory warranty.Find It on UsedLighting.com
(1) SHAPESHIFTER C-1
(1) Flight Case
(1) Safety Cable
Offering awesome power, incredible speed and total flexibility, SHAPESHIFTER is the new and innovative range from High End Systems. Designed by Richard Belliveau, prepare to have your mind shifted!
7 independently controlled modules housed in one moving fixture create a multitude of highly defined beams coming together to form an amazing array of effects from the incredibly bold to the ultra subtle. All Elements of the fixture are lightning fast giving the designer the largest palette of creative options available, all from one fixture.
Featuring custom lensing and ultra bright LEDs SHAPESHIFTER is the brightest LED range available today!
Alongside total control High End Systems has provided Module Macros with almost 150 available to the user. These have been custom written to provide the user with a fast and intuitive way to create powerful effects in a very short space of time. These Macros are further enhanced by speed and cross fade controls.
High End Systems are true innovators and SHAPESHIFTER is the fulcrum of the new generation of LED products being released. RESHAPE THE GAME!
From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.