Robe
View more ROBIN DLX Spot
View more Moving Lights
Quantity | 9 (Minimum Order 2) |
Condition | Like New |
Location | Europe |
Previous Use | Rentals |
Warranty | 7 Day |
Previously used on various rentals. Cleaned, maintained, and tested by authorized technicians.
(1) Robin DLX Spot
(2) Hooks
(1) Powercon/Schuko Cable
Part in duo Flight Case.
All cables are included in this package.
ROBIN DLX Spot |
Robe |
All ROBIN DLX Spot |
4 Available |
$4,870 USD |
€4.025 EUR |
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MAC Quantum Profile |
Martin Professional |
All MAC Quantum Pr... |
26 Available |
$3,812 USD |
€3.150 EUR |
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VL4000 Spot |
Vari-Lite |
All VL4000 Spot |
60 Available |
$3,795 USD |
€3.296 EUR |
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MAC Viper Performance |
Martin Professional |
All MAC Viper Perf... |
30 Available |
$7,395 USD |
€6.423 EUR |
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WildBeam |
Ayrton |
All WildBeam |
100 Available |
$990 USD |
€860 EUR |
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Alpha Beam 1500 |
Clay Paky |
All Alpha Beam 150... |
16 Available |
$1,815 USD |
€1.500 EUR |
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VL3500 Wash |
Vari-Lite |
All VL3500 Wash |
27 Available |
$2,831 USD |
€2.340 EUR |
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Sharpy Wash 330 |
Clay Paky |
All Sharpy Wash 33... |
19 Available |
$2,520 USD |
€2.189 EUR |
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VL3500 Spot |
Vari-Lite |
All VL3500 Spot |
30 Available |
$3,845 USD |
€3.339 EUR |
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HDQ-4K35 |
Barco |
All HDQ-4K35 |
3 Available |
$34,000 USD |
€29.529 EUR |
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MAC Quantum Profile |
Martin Professional |
All MAC Quantum Pr... |
26 Available |
$3,812 USD |
€3.150 EUR |
View » |
VL4000 Spot |
Vari-Lite |
All VL4000 Spot |
60 Available |
$3,795 USD |
€3.296 EUR |
View » |
MAC Viper Performance |
Martin Professional |
All MAC Viper Perf... |
30 Available |
$7,395 USD |
€6.423 EUR |
View » |
J-Series |
db audiotechnik |
All J-Series |
1 Available |
$302,200 USD |
€249.750 EUR |
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WildBeam |
Ayrton |
All WildBeam |
100 Available |
$990 USD |
€860 EUR |
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VT4882 |
JBL |
All VT4882 |
4 Available |
$1,000 USD |
€868 EUR |
View » |
KIVA |
L-Acoustics |
All KIVA |
60 Available |
$1,597 USD |
€1.320 EUR |
View » |
The Robin DLX Spot uses a unique new RGBW LED light source giving colour outputs brighter than a 1200 Watt discharge unit, but with an average very eco-friendly power consumption of only 250 Watts.
The optical system produces a very smooth, high quality light output of rich, beautiful colours with no shadows and utilizes a versatile zoom of 10 45 degrees.
Effects features consist of a combination of static and rotating gobo wheels that have custom replaceable positions, variable frost, three-faceted prism, superfast iris and more... including full range dimming and variable Strobe effects.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.