High End Systems
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Quantity | 12 |
Condition | Normal Wear & Tear |
Location | North America |
Previous Use | |
Warranty | 2 Day |
These High End x.Spots 2:1 are in good condition and were manufactured in 1999.
Abell Audio Inc. does expert repair work on mixers, amps (tube and solid-state), keyboards, speakers, analog multitrack recorders and all related equipment. We have a clean 3700 square-foot shop with 5 full time techs and fully equipped benches. All repairs carry our 90 day warranty, we are BBB-Ohio members in good standing...
Solaris is proud to announce Steve Smith as the new sales manager for US & International sales. Steve comes to Solaris with many years of sales and sales management experience for various financial institutions. He offers our customers personal attention in their quest to locate the proper equipment based on their needs.
Just in. B-Stock Christie DigitalRoadster HD10K-M for $13,900. This 10,000 ansi lumen DLP projector delivers high efficiency and detailed images for your display solutions. The M-Series features projection mapping and color matching unrivaled in the industry.
To match our explosive growth this year the Solaris website has been upgraded to match our professional service and level of quality you expect from the world leader in pre-owned equipment.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.