|Normal Wear & Tear
Used for demo purposes only.
- Sharpy Wash 330
- installed lamp
- Omega-Adapter with 2x Camlock
Sharpy Wash 330 is an extraordinarily compact, lightweight 330 W washlight, with the luminous efficiency, graphic and optical performance of a 1000W fixture. It is extremely silent and quick, and fitted with a complete CMY color system, special colors, 6.5-48 zoom, mechanical Dimmer, beam shaping filter and motorized top-hat. It is an eco-friendly light, allowing considerable running and consumption cost savings. New 330W Lamp (8,000 K 1,500 h) Equalling the light output of a 1,000 Watt luminaire Small, lightweight and easily transported: only 18.5 Kg (40.8 lbs) Adjustable beam angle from 6.5 to 48 Motorised Top Hat (Clay Paky patented) CMY Color System + 11-color wheel + open Rotating beam Shaper High speed movements and effects Frosted, smooth mechanical Dimmer High speed Stop/Strobo effect Soft-edge Filter + heavy frost filter New, high-performance electronics Patented Italian design Eco-friendly: replaces far larger and more expensive washlights Electronic ballast fitted as standard Available in black, white, gold-plated and mirror-finish" chrome plated versions
Manufacturer of moving lights, effects, and image projectors.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.