|Quantity||60 (Minimum Order 4)|
|Condition||Normal Wear & Tear|
Used for TV installation
in excellent condition.
Power on hours: +/- 3500h
Total Lamp on hours: +/- 3500h
Lamp on hours: +/- 1000h
- Power cable
The Robe Pointe is very bright and super-fast with a sharp parallel beam that cuts through the air and across video with ease. It can project a static or rotating glass gobo to produce precision in-air and surface images with an even focal plane. Tight or at full 20 degree zoom, the output is crystal clear and brilliant. Add in either rotating, 6 way linear or 8 way circular, prisms to create wide reaching effects across any set.
Drop in the frost filter and use any of the 13 rich colours to create a smooth even wash. The Pointe has an output far greater in size, quality and power than seems possible from its small, lightweight body due to the efficient short arc 280 W discharge source and the Robe optical configuration.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.