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These units have an average of 2000 hours and come with a 90 day warranty.Find It on UsedLighting.com
(1) MAC Viper AirFX
Both flexible and efficient, the MAC Viper AirFX is a new concept that combines hard-edge, mid-air effects and a beautiful wash field in one luminaire. Featuring a great selection of all-new gobo designs, hard-edge effects remain stunning across the fixtures entire 11 - 59 zoom range. Capable of snapping or fading into a wash light at any point, a unique and highly efficient optical system means the MAC Viper AirFX can offer the features of a profile at the output of a wash light.
The Viper AirFX has adopted the compact form, impressive speed, superior light quality and beautiful colors that the MAC Viper Profile is renowned for. It is also based on the same 1000-watt lamp for an output that convincingly exceeds any larger, heavier and more power-demanding 1500-watt profile fixture.
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.