|Condition||Excellent / Few Scratches|
Mac III Performance in single flightcase and complete with two omega-brackets and safety. The MAC III Performance™ is a flexible, high-output profile moving head with a interleaved framing system with full cross - over of each blade and continuous rotation for new and unlimited projection, framing and effects possibilities.
1500 W short arc discharge lamp with Lok-it!™ base
CMY color mixing system
Framing system with unique continuous rotation, full blade crossover with uniform focus of each blade
Color Wheel - 7 interchangeable dichroic filters
Rotating gobo wheel
Rotating framing module
checked and serviced by official Martin Technical department
The MAC III Performance is a high-output profile moving head with a new interleaved framing system with full crossover of each blade and industry-first continuous rotation for new and unlimited projection, framing and effects possibilities. It is available as a stand-alone fixture or as an easy-to-swap module that installs in minutes on any MAC III Profile?.
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.