|Condition||Normal Wear & Tear|
Used on several Ice Shows. Fully cleaned,maintained, and updated by authorized technicians.Find It on UsedLighting.com
(1) Intellaspot XT1
(1) Flight Case
(1) Installed Lamp
The intellaspot represents the next generation in innovative optics, providing high lumen output, energy efficiency, zoom range, and overall feature set all at a highly economical price point. The fixture is a hard-edged moving yoke light featuring smooth CMY color mixing as well as variable CTO. A fixed color wheel allows instant color choices via easily exchangeable dichroic filters. Two rotating Lithopattern wheels, each with seven patterns plus open, provide a large number of output patterns and images. The output can be further enhanced with a rotating prism and an animation wheel.
With a powerful optical system, the intellaspot not only produces an extreme 20,000 lumen output from the 850w HID lamp, but also provides clear projections with a large zoom range of 11deg to 55deg. With its fast mechanical iris, variable soft edge, and electronic strobing, the intellaspot is truly a full featured automated luminare.
The intellaspot also includes the stunning Indigo Highlighter feature. Exclusive to the intellaspot, the indigo highlighter provides designers with additional light output from four 1-watt indigo LEDs, thus increasing the layering abilities of the large-exiting aperture fixture.
Built on an entirely new platform, the intellaspot combines new technologies to create an exceptionally energy-efficient fixture that conforms to modern ??greening principles. A battery-controlled full color LCD menu system enables fixture addressing without having to power up the unit. Low ambient noise, RDM, and extensive DMX capabilities make the intellaspot the professional choice for a wide variety of applications.
From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries. At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces. Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology. We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field. This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve. As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.