|Condition||Normal Wear & Tear|
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(1) Golden Color 1200
(1) Flight Case
The Golden Color 1200 is a very powerful washlight. It uses an HMI 1200 W/S lamp, CMY colour system and an Amber disc with gradual insertion, which creates "pastel" colours and linear correction of the colour temperature from 6000 to 3200K. It comes with a microlens frost filter, ovalizer, dimmer, stop and Strobe, for a total of 8+2 control channels. Golden Color 1200 also boasts broad and smooth movement (450deg Pan, 252deg Tilt) with selectable 8 or 16 bit resolution, a moving body lock for transport, automatic return to the starting position of the moving body after accidental movements and easy access to inside the projector.
Golden Color 1200 is ideal for touring, TV, theatre and in applications that exploit the projector's power - while keeping within a limited budget.
Manufacturer of moving lights, effects, and image projectors.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.