|Quantity||16 (Minimum Order 8)|
|Condition||Normal Wear & Tear|
Previously used in rentals. Cleaned, maintained, and tested by authorized technicians.
(1) Design Beam 300
(1) Dual Flight Case
Design Beam 300 -
300 Watt Hybrid Spot / Wash / Beam Projector
? Very tight 7.5deg beam angle / extreme output ACL EFFECT!
? Extreme Light output over 30,000 Lumens!
? CMY Color Mixing
? EWDMX Wireless DMX receiver built in
? 3 Phase Motors for fast movements
? 16 Bit Movement Pan/Tilt
? 8 Static / Replaceable Dichroic Colors incl. CTB and UV
? 6 Static Gobos (replaceable)
? Rotating / Indexing Prism 3-Facet
? Variable Frost for hard edge BEAM or WASH effect
? Dimmer / Strobe
? Electronic Ballast
? Digital LCD Blue / White Menu Display
? 19 DMX Channels
? DMX Record function on-board
? 4 User settable personality DMX traits
? Compact case design (250 size case)
? 3 pin or 5pin DMX in/out
? MSR300/2 Fast Fit
? Lux = 33,150 @ 30'
? Pan / Tilt Lock - 630deg or 540deg Pan x 265deg Tilt selectable
? Weight 56.2lbs.
? Size 16.9 x 17.6 x 20
? 90-240v / 50-60hz Switching Power 3.7A 446W
? DB Rating 52db @ 3'
Elation Professional - Professional Lighting & Entertainment Products and Accessories!
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.