Used COSMOPIX-R | For Sale Item# 45196

Ayrton
Ayrton
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Quantity 2
Condition Like New
Year 2015
Location Middle East
Case Type Dual
Previous Use Rentals
Warranty 14 Day

Description

1/2 year old. Ex Demo, like new.

Find It on UsedLighting.com

What's Included

(2) COSMOPIX-R
(4) Omega Brackets
(2) Safety Wires
(1) Dual Flight Case

Used COSMOPIX-R | For Sale | Ayrton

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Product Information

COSMOPIX-R

COSMOPIX-R

The COSMOPIXR is a entirely new luminaire based on the concept of the famous double-rotation spheres with PAR36 lamps, dating back to the early 80s. Using the latest technology and a variety of options for controlling the new multi-chip RGBW LED emitters, Ayrton has equipped this luminaire with new high-efficiency 94 mm
optics and revamped this legendary product design, endowing it with a continuous combination of potential effects. As with the entire RADICAL product line, the COSMOPIXR has a powerful beam of under 5 with a centre-beam luminous intensity of over 100 candela per lumen. Fitted with 12 separately-controlled 60 Watt light emitters in a 12-face arrangement and continuous double rotation on the pan and tilt axes, the COSMOPIXR will inspire lighting designers to create revolutionary new effects.

Ayrton

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.

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