|Quantity||12 (Minimum Order 4)|
These used ColorWash 250AT's from Robe are only 4 months old as of May 2010. Units are very clean and will have factory warranty remaining. They include dual cases.
Clear ColorWash 250AT's that were purchased new the beginning of 2010.
This eagerly awaited fixture completes Robe's AT line of moving heads. A completely new optical system makes this fixture 50% brighter than its predecessor, the Wash 250XT. New ultra smooth CMY colour mixing offers a fantastic spectrum of hues. A motorized zoom effect ranges from 8 - 32deg and the extremely silent cooling system and movement make this fixture a superb choice for TV and theatre. The colour wheel offers 6 saturated colours + open, using Robe's renowned SLOT&LOCK system. Frost filter and a beam Shaper are available on the effect wheel. As with all other Robe AT moving heads, 16-bit resolution is available for movement, colour wheel positioning and dimming.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.