|Condition||Normal Wear & Tear|
One owner, one user, never loaned or rented, used for approx. 12 church and school events per year. Trying to switch to all LED products.
Fixture, one set of Omega clamps, case, banjo cloth road case to allow the fixture to be set on top of the case for events.
The ColorSpot 575 AT includes all the effects imaginable - two separate gobo wheels with the ″SLOT&LOCK″ system, two separate colour wheels (one with the ″SLOT&LOCK″ system), motorized multi-step zoom with three different apertures of 15, 18 and 22 degrees, motorized iris, prism, separate and variable frost effect, remote focus and more. A new optical system and a new dichroic glass reflector increase the light output of the ColorSpot 575 AT. Completely new software enables very smooth rotations of Gobos and prism, and 8- or 16-bit resolution for gobo indexing, prism indexing and dimmer. This product is the right solution for all types of installations from big clubs, large discotheques and venues to concerts and touring applications.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.