|Quantity||26 (Minimum Order 4)|
|Condition||Normal Wear & Tear|
These units are in good condition, and include dual case.
Units very well kept.
The ColorSpot 1200 is designed as the ultimate creative tool for large theatre, TV and live shows, and for installations in multi-purpose venues and large clubs.The fixture uses a powerful Philips 1200 SA discharge lamp lightsource. This is further boosted by a high quality super-efficient optical system, making the ColorSpot 1200 one of the brightest moving fixtures currently on the market.Major features include a versatile CMY colour mixing system, variable CTO plus an additional colour wheel, 12 rotating indexable, replaceable dichroic glass Gobos on two wheels offering 48 gobo combinations, iris, 4 rotating prisms and effects, variable frost, an incredibly flexible 13 42 degree linear zoom, remote focus, Dimmer and shutter.Its progressive colour temperature correction system from 5600K to 3200K is designed for use in television and film applications.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.