|Quantity||8 (Minimum Order 2)|
|Condition||Excellent / Few Scratches|
(1) A.leda Wash K10
(2) Mounting Clamps
(1) Power Cord
(1) Dual Flight Case with the purchase of (2) units.
A.LEDA WASH K10 is the mid-range model in the A.LEDA Series - the first professional Clay Paky fixtures to use LEDs as light sources. It offers a valid alternative to discharge lamp washlights, adding all the benefits of LED technology: low energy consumption, long light source life, small size, light weight and robustness.
A.Leda Wash K.10 is fitted with multicolor RGBW LEDs that produce a full range of vivid colors as well as excellent shades of white. It is also equipped with a motorised and fully controllable 14-70.
Each color of each LED may be controlled separately: this unique feature not only allows you to create an endless range of color variations, but also to use each LED of the array as a pixel in order to draw all kinds of graphic images that change dynamically both in shape and color.
To ease operation, the light has a library of pre-programmed graphic effects, which operators may customise by changing each parameter: intensity of each color, speed of change, etc.
Manufacturer of moving lights, effects, and image projectors.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.