The AG-HPX500 P2 HD shoulder-mount camcorder delivers a unique combination of high-end features never offered in a camcorder in this genre, including production-quality 2/3" progressive 3-CCDs, DVCPRO HD quality, multi HD and SD formats, variable frame rates, and four independent audio channels. In addition, the HPX500 offers the outstanding benefits of P2 solid state Recording including ultra-fast IT workflow and no-moving-parts reliability, which makes the camera ideal for use in harsh environments.
At only 8.2 pounds, the HPX500 features a high-performance digital signal processor (DSP) with 14-bit A/D conversion and 19-bit processing that handles HD/SD format conversion simultaneously ensuring spectacular images in all video formats for applications ranging from news acquisition, independent filmmaking, corporate video, sports and much more. To give your productions tremendous flexibility, the HPX500 records in over 32 HD and SD formats. The camcorder records on re-usable, removable P2 cards. With Panasonic's new 16GB P2 card and HPX500's four P2 slots, the camera records for 68 minutes of DVCPRO HD; 136 minutes of DVCPRO 50; and 272 minutes of DVCPRO.
Records in 1080/60i, 50i, 30p, 25p and 24p; in 720/60p, 50p, 30p, 25p, and 24p; and in DVCPRO50, DVCPRO and DV
Excellent low-light performance and a high sensitivity of F10
Equipped with eight gamma modes, including CineGamma, for different shooting situations
Like the AJ-HDC27 VariCam camera, variable frame rates in 11 steps between 12p and 60p allows undercranking/overcranking for fast- or slow-motion effects
Users have immediate access to P2 content with clip thumbnail view and advanced Recording features including hot swapping, loop record, shot-marking, pre-record functions (three seconds in HD and seven seconds in SD), one-shot and interval.
Key interfaces include IEEE 1394, USB 2.0, HD SDI/SDI, genlock, built-in SMPTE time code, independent TC-IN/TC-OUT terminals, composite video, analog component and four audio XLR inputs
4-position Neural Density filter
Low power consumption of 22 watts (when 3.5" LCD monitor and 1.5" viewfinder are in use)
3.5" color LCD screen (with image flip function) located at rear of the camera
Chromatic Aberration Compensation function allows the camera to automatically compensate the registration error that is caused mainly by lens chromatic aberration and minimize the circumjacent blur.
Remote controllable with AJ-RC10G (via 10-pin RCU terminal)
Used Video Cameras
Professional video cameras are advanced video cameras used in the creation of moving electronic images. Although they are primarily associated with TV studios, there usage has advanced beyond this, and they are now employed for making educational videos, corporate videos, music videos etc, etc,.
Video cameras for professional use come in two styles: fixed and portable. The fixed video cameras are usually attached to studio pedestals and do not have the same capabilities for recording as that of a standard camcorder, as instead the captured images are transferred directly to another device. A portable professional video camera meanwhile, is able to record images. These video cameras are significantly larger than consumer grade video cameras, and have to be carried on the camerapersonâ??s shoulder.
Video cameras for professional use the same standard recording technology â?? an optical prism behind the lens which separates the colors it picks up into primary colors, and directs them to an active pixel sensor or charge-couple device. The signal picked up by these sensors is then amplified and encoded into a signal that both monitor outputs and the viewfinder can read.
ENG (Electronic News Gathering) video cameras are the most commonly used in producing videos, although EFP (Electronic Field Production) video cameras are sometimes preferred for outdoor use. Both of these professional video camera types are designed to be carried on the shoulder, although a tripod can be used when more stability is required.
