Buy Used Aero 38A by D.A.S. Audio
Used & New Prices
|Used Price||$80,933 - $191,180 USD||View Used Prices|
Used Aero 38A For Sale
Aero 38A Line Array Speakers... generation of a flat, isophasic wave front. All components incorporate neodymium magnet assemblies.
The Aero 38A offers captive Rigging Hardware that keeps all parts in place and makes joining one box to another, safe and simple. The rear located splay angle adjusters keep the front spacing between adjacent Elements the same, providing a seamless front baffle for improved array performance. Moving individual units is easy thanks to the front located dolly panel. Multiple units can be moved with the optional steel stacking dolly.
Low frequency reproduction is handled by two 12GNC loudspeakers in a bass-reflex configuration. The 12GNC speakers incorporate 4 in. (100 mm) edge-wound flat wire (EFW) voice coils and lightweight neodymium magnet assemblies. High frequency reproduction is handled by one ND-10 large format compression drivers using a 4 in. (100 mm) Titanium diaphragm, copper clad aluminum EFW voice coil and a 1.5 in. exit throat coupled to SERPIS high frequency plane wave generator.
Power is provided by a three-channel class "D" power amplifier. Protections include short circuit protection on each channel, overload and thermal protection, dynamic clip and power limiting.
Compatible with Aero-48 and Subwoofer Aero-182/182A, flying hardware is integral to the box and provides for splay angles from 0 to 10 degrees in 2.5 degree increments, hinge points being located on the front for seamless arraying.
D.A.S. Audio Line Array SpeakersToday, we manufacture loudspeaker systems and components, which we supply to other manufacturers throughout the world. Power amplifiers, electronic signal processors, and accessories complete a vast array of products that address the gamut of sound reinforcement applications. Loudspeaker and system designs are developed by a staff of engineers aided by advanced computer assisted design programs. Performance testing is done with proprietary software such as Autopol, a platform for automated acquisition and processing of directivity data. A well planned industrial process, careful selection of suppliers, and the in-house production of loudspeaker components optimized for use in D.A.S. Audio sound systems empowers the company with quality levels and cost efficiency matched by only a few.
Here are all the codes:
CP: Film, Television &Photographic studio (3200K)
. Used . A1: Projection
T: Theatre (3000K)
P2: Photoflood (3200K)
K: General Purpose Flood Lighting (2850K) . Used . ...
Conventional - Conventional lighting is made up of stationary lights that can be moved, but only via manual means of adjusting, or focusing the fixture with a yoke. However, some aspects of the lights, like brightne. Used . ss and color may be controlled remotely
by consoles or analog audio inputs. There are many different conventional lights used in stage lighting design including floodlights, pars, foll. Used . owspots, ellipsoidals, fresnels, strips and cycs. ...
PAR - PAR is an acronym referring to "Parabolic Aluminized Reflector" which describes the mirror configuration. PAR lights resemble car headlights. They possess a lens, but the lens is an integral part of t. Used . he lamp and its position relative to the filament canno . Used . ...
Cue - Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...
Drivers and Horns - Drivers and Horns are speakers designed to produce high frequency audio usually around 3-5 kHz and up to 20 kHz. Horns are usually in the shape of a long corn and look somewhat like the horn of a mus. Used . ical instrument. . Used . ...