The MAC 2000 Performance
II E features a mechanized framing system and gobo animation module as well as a gobo and effect wheel, CMY system and much more.
Used Martin Professional
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
- Extended Graphics Array is a standard computer display introduced in 1990 by IBM. The initial version of XGA built upon IBM's VGA, adding support for two resolutions, 800 ◊ 600 pixels with high color . Used . and 1024 ◊ 768 pixels with a palette of 256 colors. XGA-2 was developed later and with 1024 x 768 pixels with high color, and 1360 x 1024 with 16 colors. However, all XGA modes have an aspe. Used . ct ratio 4:3 rounded to 8 pixels....Zoom Flash
- A flash with the capability of adjusting the width of its beam to accurately fit the angle of the lens being used.. Used . . Used . ...Laser
- LASER is acronym for Light Amplified by Stimulated Emission of Radiation and is an optical source that emits photons in a coherent concentrated beam. There are many different kinds of LASERs producing. Used . many different colors, but red is the most common.. Used . ...Hertz
- A unit of measure for frequency generally applied to waveforms, one Hertz is equal to one cycle in one second. It is abbreviated Hz so that 100 Hz would be 100 cycles per second. However, the unit m. Used . ay be applied to periodic events other than waveforms like the second hand on a clock, which would cycle at 1 Hz, or a human heart that may beat at 1.2 Hz. Named after the German physicist H. Used . einrich Rudolf Hertz, the name was established in 1930, but did not replace the term cycles per second until the 1970s.
- Memory-based consoles have become very popular in almost all larger installations, particularly theatres. These new types of controls have completely replaced preset consoles as controllers of choice. Used . . Memory consoles are preferable in productions where scenes do not change from show to show, such as a theatre production, because scenes are designed and digitally recorded, so there is les. Used . s room for human error, and less manpower is required to produce the same result.
Memory consoles have a bank of faders called 'submasters.' These submasters can be programmed to control a single
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.