The MAC 2000 Performance
II E features a mechanized framing system and gobo animation module as well as a gobo and effect wheel, CMY system and much more.
Used Martin Professional
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
- . Used . . Used . Cameras
- A video camera is a camera that takes continuous pictures and generates a signal for display or recording. It captures images by breaking them down into a series of electromagnetic lines.. Used . . Used . ...Amp Processor
- An amp-processor is an amplifier that has other audio processing capabilities like compression or equalization and are often used in PA systems or to amplify mics or musical instruments. . Used . . Used . ...American National Standards Institute
- . Used . . Used . Prime Lens
- A lens whose focal length is fixed. Prime lenses are not as versatile as zoom lenses, but are generally superior in optical quality. This is due to the simplisity of design with fewer moving parts th. Used . at can be optimized for one specific focal length. . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.