The Heritage 1000
brings the unmistakable sound and legendary engineering quality of the Midas
brand in a light and compact modular frame.
Its sophisticated automation (like a mini XL4) makes it suitable for a variety of applications, but especially for theatres where space is often at a premium. On top of this Midas
' Heritage 1000 Libra
ry Manager software allows sound designers the option of creating hundreds of scene snapshots in the comfort of their own home before rehearsals have even started. The standard 8-way Matrix
, which can be fed from auxiliaries, groups and masters, can be expanded to suit the largest zoning requirements.
The Heritage 1000
also enables traditional Midas
customers to use their preferred brand of console for their smaller events, or even link to existing stocks of Heritage consoles for big, complex shows where large numbers of inputs are required (Matrix
outputs can be swapped for inputs). For smaller rental comPani
es, the Heritage 1000
is the perfect vehicle for introducing Midas
values and performance to a more price-sensitive area of the market.
Midas has been designing and manufacturing live performance mixing consoles for the world‚??s most demanding sound engineers, performers and production rental companies since the early 1970s.
The evolution of Midas consoles throughout the 30-year history of this classic marque has always paralleled, and often led, increasingly sophisticated audio innovations for the world-wide entertainment technology industry. Raising the standards of sonic quality through continual research and development has always been - and still remains - our overall aim.
Equally important to us is the design and implementation of many new areas of control functionality and user-friendly desk operation to anticipate and accommodate the rapidly changing and expanding needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.
The Midas design pedigree has, since our birth, been founded upon a track record of achieving a unique symbiosis with working sound engineers around the planet - engineers who respect and endorse our proven technology in the light of their responsibilities to their internationally-based clients who are themselves the leading lights of our industry.
- Moving lights or intelligent fixtures were originally implemented in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the . Used . early 1980's. As the digital age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are . Used . currently used in almost all major theatrical productions.
Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices...Arc Lamp
- An arc lamp is a device that produces light by the sparking (or arcing, from voltaic arc or electric arc) of a high current between two carbon rod electrodes. The rods are touched and then slowly draw. Used . n apart; as the rods separate the current is "struck" and arcs across the gap in a bright, ionized path. The arc produces a temperature of several thousand degrees, and the tips of the carbon. Used . rods are heated to incandescence, creating light. The rods are slowly vaporized during the process and need to be regularly adjusted to maintain the arc. The concept was first demonstrated by Sir Humphry Davy...Intensity
- Measured in both lux and lumens. For any given luminaire (lighting instrument or fixture), this depends upon the power of the bulb, the design of the instrument (and its corresponding efficiency), the. Used . presence or absence of color gels or gobos, distance from the area to be lit, the color and subtance to be lit, and the neuro-optics of the total scene (that is, the relative contrasts to ot. Used . her regions of illumination). ...Windshield
- Foam cover for microphones that reduces the interferance caused by wind and breath allowing the microphone to pick up the desired sounds.. Used . . Used . ...Intelligent Fixtures
- Intelligent Fixtures or Moving Lights were originally implemented in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the . Used . early 1980's. As the digital age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are . Used . currently used in almost all major theatrical productions.
Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices...
Used Audio Mixers
Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device.
Sound consoles do a great deal more than just combining different audio signals ‚?? they allow users to optimize the sound output in a number of ways ‚?? adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product.
When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used.
Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk.
Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified ‚?? for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.