The Heritage 1000
brings the unmistakable sound and legendary engineering quality of the Midas
brand in a light and compact modular frame.
Its sophisticated automation (like a mini XL4) makes it suitable for a variety of applications, but especially for theatres where space is often at a premium. On top of this Midas
' Heritage 1000
Library Manager software allows sound designers the option of creating hundreds of scene snapshots in the comfort of their own home before rehearsals have even started. The standard 8-way Matrix
, which can be fed from auxiliaries, groups and masters, can be expanded to suit the largest zoning requirements.
The Heritage 1000
also enables traditional Midas
customers to use their preferred brand of console for their smaller events, or even link to existing stocks of Heritage consoles for big, complex shows where large numbers of inputs are required (Matrix
outputs can be swapped for inputs). For smaller rental comPani
es, the Heritage 1000
is the perfect vehicle for introducing Midas
values and performance to a more price-sensitive area of the market.
Midas has been designing and manufacturing live performance mixing consoles for the world‚??s most demanding sound engineers, performers and production rental companies since the early 1970s.
The evolution of Midas consoles throughout the 30-year history of this classic marque has always paralleled, and often led, increasingly sophisticated audio innovations for the world-wide entertainment technology industry. Raising the standards of sonic quality through continual research and development has always been - and still remains - our overall aim.
Equally important to us is the design and implementation of many new areas of control functionality and user-friendly desk operation to anticipate and accommodate the rapidly changing and expanding needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.
The Midas design pedigree has, since our birth, been founded upon a track record of achieving a unique symbiosis with working sound engineers around the planet - engineers who respect and endorse our proven technology in the light of their responsibilities to their internationally-based clients who are themselves the leading lights of our industry.
Advanced Control Network
- A new protocol designed to improve upon on the exisiting known limitations of the DMX512 protocol. It was developed by the ESTA (The Entertainment Services and Technology Association).
T. Used . he Advanced Control Network (ACN) is intended to provide the next generation standard for the distribution of data in lighting control networks.
ACN needs to do much more than just supe. Used . rcede DMX. Ideally, ACN will unify lighting control networking, allowing a single network to carry many different kinds of lighting-related data and to connect equipment from different manufacturers. ACN is noAmp Racks
- An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.
. Used . . Used . ...Lighting Desk
- Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth.
All lighting control consoles can control dimmers which, in turn, control the brightness of. Used . the lights. Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices.
Consoles communicate wit...Protocol
- In computing, a protocol is a convention or standard that controls or enables the connection, communication, and data transfer between two computing endpoints. In its simplest form, a protocol can be . Used . defined as the rules governing the syntax, semantics, and synchronization of communication. Protocols may be implemented by hardware, software, or a combination of the two. At the lowest leve. Used . l, a protocol defines the behavior of a hardware connection.
Protocols should be distinguished from technical standards, which variously specify how to build a computer or related hardware device,...Cue
- Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...
Used Audio Mixers
Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device.
Sound consoles do a great deal more than just combining different audio signals ‚?? they allow users to optimize the sound output in a number of ways ‚?? adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product.
When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used.
Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk.
Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified ‚?? for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.