The inbuilt framing shutters enable the fixture to be used like any standard profile discharge lightsource, when very precise framing and pin-pointing of objects and areas onstage is required. This will be of great interest for theatical applications and TV productions. For full flexibility, the framing shutter module uses 4 rotating blades, and the final framed image can also be rotated. All other features and functions are similar to the standard ColorSpot 1200E AT, with 1 x rotating gobo wheel, 1 x rotating effects wheel, 1 x colour wheel and variable CMY and CTO.
Details:
Technical Specification
Philips MSR 1200 SA, Luminous flux 96,000lm, CRI>80, 750hrs lamp life, CCT 6,300K
Framming shutters mechanism
Robe Navigation System (RNS)
Linear motorized zoom 13 42deg
CMY+CTO dichroic colour flag system
Colour wheel with 6 user replaceable "SLOT&LOCK" colours + open
Rotating gobo wheel with 6 + 1 user replaceable "SLOT&LOCK" Gobos
Effect wheel with 4 rotating, indexable, replaceable "SLOT&LOCK" prisms and effects + open
Motorized and stepless iris
Motorized focus
Mechanical Dimmer/shutter
Pan and tilt movement 16/8 bit resolution 530deg/280deg with locking mechanism
Communication protocol USITT DMX-512, RDM support, ArtNet
Robe
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
Headquarters:
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
