Alpha Spot HPE 300 in excellent condition, previously used in rentals. Priced per unit. Minimum order of 2 units = $1,962 USD / €1.800 EUR
|Quantity||24 (Minimum Order 2)|
|Condition||Excellent / Few Scratches|
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(1) Alpha Spot HPE 300
(2) Omega Brackets
ALPHA SPOT HPE 300
Compact, light, very silent, easy to install and extremely bright (16,000 lux [15deg] at 5m), with superior graphic and optical performances, it is the most complete ??spot in its category.
10deg-40deg Zoom, CMY, 8+1 Color wheel, 15 Gobos (8 fixed and 7 rotating), Morphing Effect, Rotating Prism, Frost, 0-100% Dimmer on dedicated channel, iris and stop/strobe.
Alpha Spot HPE 300 is the ideal tool for every professional sector, where you want to combine contained size with high performance.
About twice as bright as the best-known competitors in its category. Optical system based on the use of a 300W lamp and a dichroic elliptical mirror with high reflection. In many Cases, the Alpha Spot HPE 300 can also be used instead of projectors of larger size (575W).
The widest EFFECT SECTION
CMY, 8+1 Color Wheel, 15 gobos, rotating Prism, Frost with adjustable projection angle, 0-100% Dimmer on dedicated channel, high speed mechanical iris, stop/strobe. It is the only compact projector on the market to have all the effects of the large size projectors.
A complete COLOR SYSTEM
It's among the few ??300s with a complete color system: CMY and 8+1 Color Wheel, which includes 2 CTO filters (3200K and 2500K) and a selection of new colors, particularly demanded for professional use: Half Minus Green,Orange, Aquamarine, deep Green, deep Blue (Night Light effect) and saturated Red. The color wheel uses a new snap-shot system that increases the color changing speed.
15 high quality GOBOS
7 rotating gobos in high quality glass + 8 fixed gobos can be overlapped for an extraordinary Morphing effect. All gobos are easily interchangeable.
Standard ELECTRONIC BALLAST
The first product in its category with standard electronic ballast that means the total absence of flickering, a universal Power Supply selectable automatically and, naturally, the product weighs less.
The first ??300 with LINEAR ZOOM
A wide Linear Zoom, that provide precise control at any beam opening. A speciallens on a dedicated channel allows the useful passage, at will, from ??hot spot to ??uniform field with the obvious advantages of the two projection modes.
SILENCE at the top of its category
Noise produced is less than 40 dB, thanks to the use of an innovative internal ventilation system and of an innovative electronic section that restores a further reduction of unwanted noise in the projector PAN-TILT motors.
Manufacturer of moving lights, effects, and image projectors.
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.