Contact a Sales Specialist about used ColorWash 575E AT for sale.
ColorWash 575E AT Moving Lights
...d stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined Dimmer
/shutter and rotatable beam Shaper
, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Moving Lights
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
Ellipsoidal Reflector Spotlight
- ERS is an acronym standing for Ellipsoidal Reflector Spotlight. These are sometimes known by their brand names, especially Leko, short for Lekolite, the name given to them by their inventors, Joseph L. Used . evy and Edward Kook. ETC's Source Four has become a very popular ERS throughout the industry, and some people use the term Source Four to refer to spotlights in general. They come in many for. Used . ms, and are the most numerous and important instrument type in use. The flexibility of the ERS allows them to fulfill the bulk of the lighting roles in the theatre, from area lighting to close specials, from l...Software Console
- Softare Lighting Consoles act just like hardware lighting consoles except that they are software driver and usually run off of a desktop or laptop computer accompanied by a DMX converter. Lighting con. Used . trol consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the entert. Used . ainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. Many modern consoles ...Artnet
- A lighting control protocol that is run over ethernet. Developed by Artistic Lisence. This protocol can use up to 256 DMX512 universes. This technology can also run over wireless ethernet.. Used . . Used . ...PAR
- PAR is an acronym referring to "Parabolic Aluminized Reflector" which describes the mirror configuration. PAR lights resemble car headlights. They possess a lens, but the lens is an integral part of t. Used . he lamp and its position relative to the filament canno . Used . ...Light Board
- A light board is yet another name used to describe a lighting console.. Used . . Used . ...
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.