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Buy Used ColorWash 575E AT by Robe

ColorWash 575E AT

Robe
The ColorWash 575E AT is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT enhances the fixture's user-friendliness. An Ethernet connection is also available with the 575E AT version. ColorWash 575E AT is ideal for theatres, TV studios, medium sized stage applications...
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Used & New Prices

Used Price $1,008 - $1,230 USD View Used Prices
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Used ColorWash 575E AT For Sale

ColorWash 575E AT in good condition. Minimum purchase of (2) units. Priced per unit.

$1,008 USD
€923 EUR
Quantity:
12
Year:
2007
Normal Wear & Tear

7 Day
Warranty
ColorWash 575E AT in great condition. Minimum purchase of (2) units. Priced per unit.

$1,230 USD
€1.072 EUR
Quantity:
16
Year:
2007
Excellent / Few Scratches

15 Day
Warranty
Contact a Sales Specialist about used ColorWash 575E AT for sale.
+1.404.817.9300

ColorWash 575E AT Moving Lights

...d stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined dimmer/shutter and rotatable beam shaper, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe Wash 575 XT Series fixture.
Robe

Robe Moving Lights

Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Large Format Mixers - Large format mixers are audio mixers having more than 24 channels for input/output.. Used . . Used . ...

XGA - Extended Graphics Array is a standard computer display introduced in 1990 by IBM. The initial version of XGA built upon IBM's VGA, adding support for two resolutions, 800 ◊ 600 pixels with high color . Used . and 1024 ◊ 768 pixels with a palette of 256 colors. XGA-2 was developed later and with 1024 x 768 pixels with high color, and 1360 x 1024 with 16 colors. However, all XGA modes have an aspe. Used . ct ratio 4:3 rounded to 8 pixels....

Analog to Digital Converter - In electronics, an analog-to-digital converter (abbreviated ADC, A/D, or A to D) is a device that converts continuous signals to discrete digital numbers. Typically, an ADC converts a voltage to a di. Used . gital number. The digital to analog converter or DAC performs the reverse operation. . Used .

Bump Button - A lighting console button that performs on action when pressed and another when released. This is a lighting console term.. Used . . Used . ...

Frequency - The measurement of the number of times a repeated event, generally a waveform, occurs in a given time frame usually expressed in Hertz, abbreviated Hz, or cycles per second. . Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.
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