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Buy Used ColorWash 575E AT by Robe

ColorWash 575E AT

Robe
The ColorWash 575E AT is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free Operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT enhances the fixture's user-friendliness. An EThernet connection is also available with the 575E AT version. ColorWash 575E AT is ideal for theatres, TV studios, medium sized stage applications...
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Used Price $1,622 - $2,668 USD View Used Prices
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Used ColorWash 575E AT For Sale

ColorWash 575E AT in great condition. Minimum purchase of (2) units. Priced per unit.

$1,622 USD
€1.191 EUR
More currencies
Quantity:
16
Year:
2007
Excellent / Few Scratches

7 Day
Warranty
Used on corporate events. Comes with a 30 day warranty.

$1,786 USD
€1.378 EUR
More currencies
Quantity:
4
Year:
2006
Normal Wear & Tear

30 Day
Warranty
Black 230V/50-60Hz. 6 month warranty.

$2,668 USD
€1.959 EUR
More currencies
Quantity:
8
Year:
Call for Age
Normal Wear & Tear

6 Month
Warranty
ColorWash 575E AT in good condition. Minimum purchase of (2) units. Priced per unit.

$2,087 USD
€1.610 EUR
More currencies
Quantity:
12
Year:
2007
Normal Wear & Tear

7 Day
Warranty
Contact a Sales Specialist about used ColorWash 575E AT for sale.
+1.404.817.9300

ColorWash 575E AT Moving Lights

...d stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined Dimmer/shutter and rotatable beam Shaper, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe Wash 575 XT Series fixture.
Robe

Robe Moving Lights

Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
5000 - 10000 Lumens - A projector that produces 5000 - 10000 lumens of light.. Used . . Used . ...

PAR - PAR is an acronym referring to "Parabolic Aluminized Reflector" which describes the mirror configuration. PAR lights resemble car headlights. They possess a lens, but the lens is an integral part of t. Used . he lamp and its position relative to the filament canno . Used . ...

AB - A stereo recording technique. Two microphones of the same make and model are located next to one another in , and point in the same direction. The left mic is panned hard left on the mixer. The right. Used . mic is panned hard right.

This technique has flaws, such as audio reflections from each mic which can cause comb filtering (narrow coverage). This can be somewhat corrected by s. Used . pacing the mics out, but this will not fully correct the problem and can lead to muddy sound from delay artifacts.

Followspot - Followspot is a generic term used to describe any number of lighting instruments used to highlight performers on stage. A followspot operator moves the followspot to follow the performer or to accent. Used . some action or prop etc. Somtimes called limes, dating back to the days of limelight.

Followspots are generally much brighter than conventional lighting instruments, and often u. Used . se a lamp with a considerably higher color temperature.

Circular - A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.
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