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Buy Used 4340 by JBL

4340

JBL
The 4340 and 4341 represent an extension of the research and development effort that produced the 4350 Studio Monitor, JBL's top system, which uses dual low frequency drivers. These new Monitors accurately reproduce the full range of fundamentals and overtones in music at sound pressure levels approximating those of an originalperformance. The exceptionally smooth wide-band reproduction, clarity, transient response and low distortion of the 4340 and 4341 result from total integration of the com...
Also Known As: Used 4340
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4340 Monitors

...tegration of the components that make up the four-way system so that each transducer reproduces only that portion of the audio spectrum for which it is specifically
designed. Deliberately restricting the Operating bandwidth of the individual drivers results in,maximization of each unit's transient response. Another benefit of bandwidth limitation is that each driver Operates only in the region of the audio spectrum through which it exhibits controlled sound distribution, thus
a dispersion pattern for the complete system is achieved which is ideal for studio use. The passive Frequency Dividing Network supplied with the 4341 controls the acoustic output of all the individual transducers. The 4340 is provided with a passive network for only the high and ultra-high frequency transitions, and is fitted with terminals for bi-amplification of the low frequency transition.
JBL

JBL Monitors

James Bullough Lansing was born James Martini, 14 January 1902, in Macoupin County, Millwood Township, Illinois. His parents were Henry Martini, born in St. Louis, Missouri, and Grace Erbs Martini, born in Central City, Illinois. The elder Martini was a coal mining engineer, and his work required that the family moved about quite a bit during Lansing's early years. Lansing was the ninth of fourteen children, one of whom died in infancy. For a short time, Lansing lived with the Bullough family in Litchfield, Illinois. He later took their name when he changed his from Martini to Lansing. Not much is known about Lansing's early days, and we are indebted to Bill Martin, one of three surviving brothers, for providing most of the information presented here. Lansing graduated the eighth grade at the Lawrence School in Springfield, Illinois. He also attended the Springfield, Illinois, High School. Later, he took courses in a small business college in Springfield. As a young lad he was very interested in all things electrical and mechanical. At about the age of 10, he built a Leyden Jar which he used to play pranks on his playmates. He also constructed crystal sets, and at one time, probably about the age of 12 or so, built a small radio transmitter from scratch. The signals from this set were apparently strong enough to reach the Great Lakes Naval Station in Illinois; naval personnel determined the source of these signals and later supervised the timely dismantling of the young Lansing's radio transmitter. For a while Lansing worked as an automotive mechanic, specializing in fine engine repair work. He attended an automotive school for mechanics in Detroit through the courtesy of the dealer he worked for in Springfield. Lansing's mother died 1 November 1924 at the age of 56, and at that time Lansing left home. As best we can determine, he went directly to Salt Lake City. Mrs. Lansing, the former Glenna Peterson of Salt Lake City, tells of meeting Lansing in 1925 in that city. At the time he was working for a radio station as an engineer. In addition, he worked for the Baldwin loudspeaker company in Salt Lake City for a time. He also met his future business partner, Ken Decker, in Salt Lake City.
Rigging Hardware - Rigging Hardware applies to all the pins, hooks and other pieces used to connect and hoist gear into place.. Used . . Used . ...

Cue - Generally, a lighting board operator has a cue sheet for each scene, which is a diagram of the board with the faders in their positions as determined by the lighting designer. The operator sets the fa. Used . ders into their positions based on the cue sheets. Typically during a cue, the operator sets the next scene. Then, the operator makes the transition between the scenes using the cross-fader.. Used . ...

Audio - Audio is the science and art of recording or reproducing sound through mechanical or electronic means. The field includes many disciplines, such as electrical engineering, acoustics, and music with de. Used . sign, installation and operation of sound recording and reproduction equipment as the focus. . Used . ...

Wing - A breakout box or extension console that expands the current consoles capabilities by adding additional tactile faders and controls. Generally applied to lighting control consoles and adapted from a . Used . theater term used to describe the sides of the stage not visible to the audience where the actors make their entrances. . Used . ...

Angstrom - An angstrom, angström, or ångström (symbol Å) is a unit of length. It is not an SI unit. It is accepted (although discouraged) for use with the SI. It is used sometimes used expressing the size of ato. Used . ms, and lengths of chemical bonds and visible-light spectra.

The ångström is named after the Swedish physicist Anders Jonas Ångström (1814–1874), one of the founders of spectrosc. Used . opy. Besides astrophysics, Ångström was also a student of heat transfer, terrestrial magnetism, and the aurora borealis, which was so prominent for him in his northern skies. He created a spectrum chart of sol...

Monitors

Monitors are commonly known as â??stage monitorsâ?. Stage monitors are the speakers used on stage that are directed towards the performers so that they can hear themselves while playing. This allows them to monitor how well they are playing. Usually, the monitor speaker is needed when instruments with amplifiers are used in combination with acoustic instruments and the voice. These monitors on stage usually have built in amplifiers and equalizers. These monitors specifically highlight the vocals and the sound of the acoustic instruments so they wonâ??t be enveloped completely by the drums or the other electronic instruments. The audio wedge, wedge monitor, stage wedge, amplifiers, equalizers and monitor mixers all comprise the stage monitor system. There are two types of monitor speakers: the floor monitors and side fill monitors. Usually speakers on stage are heavy duty and require high input power to be able to generate high volume sounds. The floor monitors are the speakers that are placed on the floor. They are compact with the angle back design. Because of its angle appearance, it is also known as â??wedgeâ?. The smaller singular speakers are called the â??hot spotâ? monitor that is usually placed on the microphone stand so the performers can easily hear themselves. The two way heavy duty speakers have the woofer and the high frequency horn. The side fill monitors are those found at the upright side of the stage and these allow sound to be heard in places that the floor monitors cannot cover.
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