Buy Used 4340 by JBL

4340

JBL
The 4340 and 4341 represent an extension of the research and development effort that produced the 4350 Studio Monitor, JBL's top system, which uses dual low frequency drivers. These new Monitors accurately reproduce the full range of fundamentals and overtones in music at sound pressure levels approximating those of an originalperformance. The exceptionally smooth wide-band reproduction, clarity, transient response and low distortion of the 4340 and 4341 result from total integration of the com...
Also Known As: Used 4340
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4340 Monitors

...tegration of the components that make up the four-way system so that each transducer reproduces only that portion of the audio spectrum for which it is specifically
designed. Deliberately restricting the Operating bandwidth of the individual drivers results in,maximization of each unit's transient response. Another benefit of bandwidth limitation is that each driver Operates only in the region of the audio spectrum through which it exhibits controlled sound distribution, thus
a dispersion pattern for the complete system is achieved which is ideal for studio use. The passive Frequency Dividing Network supplied with the 4341 controls the acoustic output of all the individual transducers. The 4340 is provided with a passive network for only the high and ultra-high frequency transitions, and is fitted with terminals for bi-amplification of the low frequency transition.
JBL

JBL Monitors

James Bullough Lansing was born James Martini, 14 January 1902, in Macoupin County, Millwood Township, Illinois. His parents were Henry Martini, born in St. Louis, Missouri, and Grace Erbs Martini, born in Central City, Illinois. The elder Martini was a coal mining engineer, and his work required that the family moved about quite a bit during Lansing's early years. Lansing was the ninth of fourteen children, one of whom died in infancy. For a short time, Lansing lived with the Bullough family in Litchfield, Illinois. He later took their name when he changed his from Martini to Lansing. Not much is known about Lansing's early days, and we are indebted to Bill Martin, one of three surviving brothers, for providing most of the information presented here. Lansing graduated the eighth grade at the Lawrence School in Springfield, Illinois. He also attended the Springfield, Illinois, High School. Later, he took courses in a small business college in Springfield. As a young lad he was very interested in all things electrical and mechanical. At about the age of 10, he built a Leyden Jar which he used to play pranks on his playmates. He also constructed crystal sets, and at one time, probably about the age of 12 or so, built a small radio transmitter from scratch. The signals from this set were apparently strong enough to reach the Great Lakes Naval Station in Illinois; naval personnel determined the source of these signals and later supervised the timely dismantling of the young Lansing's radio transmitter. For a while Lansing worked as an automotive mechanic, specializing in fine engine repair work. He attended an automotive school for mechanics in Detroit through the courtesy of the dealer he worked for in Springfield. Lansing's mother died 1 November 1924 at the age of 56, and at that time Lansing left home. As best we can determine, he went directly to Salt Lake City. Mrs. Lansing, the former Glenna Peterson of Salt Lake City, tells of meeting Lansing in 1925 in that city. At the time he was working for a radio station as an engineer. In addition, he worked for the Baldwin loudspeaker company in Salt Lake City for a time. He also met his future business partner, Ken Decker, in Salt Lake City.
Zoom Ellipsoidal - A type of profile spot with two lenses allowing the adjustment of both the size of the beam and whether it is a hard or soft focus. This adjustment of focal length makes for an instrument with many us. Used . es around the stage. The flexibility is also vital when working with gobos. Also known (in the US) as a Zoom Ellipsoidal.. Used . ...

Moving Lights - Moving lights or intelligent fixtures were originally implemented in 1972, but the first computer-controlled stage lighting fixtures began to gain widespread acceptance in the concert industry in the . Used . early 1980's. As the digital age progressed, the cost of these fixtures was reduced and they slowly started being used in more 'traditional' theatrical environments. Intelligent fixtures are . Used . currently used in almost all major theatrical productions.

Usually relying on compact arc lamps as a light source, these fixtures generally use stepper motors connected to varying internal devices...

Moving Mirror Lights - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

Aircraft Landing Light - A narrow beam PAR lamp (28 volt) that is used on aircraft and often adopted for PAR64 and PAR46 lamps. They are most commonly 4 lamps wired in series to attain the required voltage of the circuit as . Used . close to 120 volts. ACL lamps have a higher intensity, brightness and color temperature than the standard PAR lamp.

ACL lamps are more expensive than standard PARs and have a sho. Used . rter life.

Stage Lighting - Modern stage lighting is a flexible tool in the production of theatre, dance, opera and other performance arts. Several different types of lighting instruments are used in the pursuit of the various p. Used . rinciples or goals of lighting. . Used . ...

Monitors

Monitors are commonly known as ‚??stage monitors‚?Ě. Stage monitors are the speakers used on stage that are directed towards the performers so that they can hear themselves while playing. This allows them to monitor how well they are playing. Usually, the monitor speaker is needed when instruments with amplifiers are used in combination with acoustic instruments and the voice. These monitors on stage usually have built in amplifiers and equalizers. These monitors specifically highlight the vocals and the sound of the acoustic instruments so they won‚??t be enveloped completely by the drums or the other electronic instruments. The audio wedge, wedge monitor, stage wedge, amplifiers, equalizers and monitor mixers all comprise the stage monitor system. There are two types of monitor speakers: the floor monitors and side fill monitors. Usually speakers on stage are heavy duty and require high input power to be able to generate high volume sounds. The floor monitors are the speakers that are placed on the floor. They are compact with the angle back design. Because of its angle appearance, it is also known as ‚??wedge‚?Ě. The smaller singular speakers are called the ‚??hot spot‚?Ě monitor that is usually placed on the microphone stand so the performers can easily hear themselves. The two way heavy duty speakers have the woofer and the high frequency horn. The side fill monitors are those found at the upright side of the stage and these allow sound to be heard in places that the floor monitors cannot cover.
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