The efficient optic system of condenser lens and recovery dichroic mirror is the heart of the projectors, that combined with a focus and zoom system and an even luminous beam allows you to produce numerous effects.
Studio Due
Studio Due has been creating lighting systems for live performances, discotheques and television studios since 1982.
Through constant research and innovation, and the use of premier-quality materials, Studio Due has established an international reputation as one of the market leaders in the field of professional lighting. In 1998 Studio Due has enlarged its range of products
- moving head spots
- outdoor multirays effects
- controllers
introducing a new line of
- colour changer for architectural light
- moving par concept
specifically designed to satisfy the requirements of the architectural lighting; the most famous and world-wide appreciated among these products is the CityColor.
Studio Due thanks to continuos investments is today able to produce inside the company most of the components needed in the final assembling of their products, that means manufacture high quality fixtures without loosing the flexibility in the production.
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
