Item #27329
Complete XNX package.
Europe

$10,302 USD
€7.266 EUR
More currencies
Priced Per Unit
Normal Wear & Tear
Quantity:
1 Unit
Year:
Call for Age
Case:
Other
Warranty:
2 Day
Condition:
Normal Wear & Tear
Quantity:
1 Unit
Year:
Call for Details
Case:
Other
Usage:
Other
Warranty:
2 Day
Location:
Europe
Description & Maintenance
Call for more information on this listing.
Included
(4) XNX Top 1x15 inch + 1 x 2 inch
(2) XNX Top/ MD 1 x 2 inch + 2 x 15 inch
(2) XNX Sub DR 2 x 15 inch
(2) XNX Sub 2 x 15 inch


Financing Available
US Customers Only
On purchases of $20,000 USD or more.

Used XNX For Sale
Complete XNX package.

$10,302 USD
€7.266 EUR
More currencies
Quantity:
1
Year:
Call for Age
Normal Wear & Tear

2 Day
Warranty
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From demo. No case. From 2010.
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What You Need to Know
  1. All purchases must be pre-paid.
  2. No products will ship until all funds are confirmed as cleared.
  3. All check, included cashiers checks, must clear before products will ship.
  4. Availability & Pricing of products are subject to change at any time.
  5. You MUST contact Solaris™ and inspect your equipment immediately upon arrival (48 hours) or your warranty will be void.
  6. To claim a warranty on equipment you must contact Solaris™ immediately and fill out a warranty claim.

Payment Types
    TT & Wire Transfers
  1. TT and wire transfers are the fastest way to purchase and ship your products.
  2. International wire transfers can take up to 3-5 days to clear the bank.

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    Company & Personal Checks
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  2. Credit cards require an authorization form, proof of identity and bank confirmation.

    PayPal, Western Union, etc
  1. PayPal, Western Union and other types of payments are not accepted.



Product Details
XNX

XNX

Renkus-Heinz

Used Renkus-Heinz

Ever since, we‚??ve researched the science and technology of sound. Several of our innovations have been awarded US patents. Each discovery opens new avenues for investigation, fresh opportunities for improvement. After 20 years of development, the real excitement is just over the horizon. That‚??s why our founder Harro Heinz can still be found in our facility every day. That‚??s why our team of dedicated professionals can‚??t stop taking work home at night. That‚??s why discriminating audio professionals worldwide rely on us to help them set new standards of reference in sound reinforcement. Integrated Systems The packaged loudspeaker system with transducers, waveguides, filter network, enclosure and hardware is today‚??s standard. Back in ‚??79 the concept was unorthodox, but we‚??ve always believed that better ideas will find their way into the hands of demanding professionals. Our first innovations (like US patent #4,336,425) came out of new thinking about compression drivers, but we realized that components yield only incremental improvements. The real performance breakthroughs come from using all the available tools ‚?? acoustic, mechanical, electrical and electronic ‚?? to bring reproduction closer to reality. Over a decade ago we introduced the first integrated systems, exploding boundaries that separated packaged loudspeakers from signal processing, power amplification, cabling and hardware. Today our engineers are equally at home with acoustics and electronics. Integrated systems design requires understanding a broad range of parameters, from matching amplifier output to transducer power handling, to precise setting of critical signal processing functions, to optimizing gain staging. Precision adjustment of limiter behavior, crossover frequencies and slopes, equalization and delay is a time-consuming, data-intensive process, but the results are worth it. Our integrated systems approach eliminates the frustration of verifying proper system setup and tracking down faults. The system designer and operator are free to focus on enhancing the listening experience, rather than trying to make the system work by adjusting critical parameters like driver protection, crossovers and EQ "on the fly." We build integrated systems as small as a single enclosure and as large as a high-output, wide coverage multi-element array. It‚??s all part of our search for new reference points in sound system performance.
Hoist - A hoist is a device used for lifting or lowering a load by means of a drum or barrel around which rope or chain wraps. It may be manually operated, electrically or pneumatically driven and may use cha. Used . in, fiber or wire rope as its lifting medium.

A hoist normally is used for lifting (near vertical) and a winch is normally used for pulling (near horizontal).
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Multi Effects - Multi effects applies to any outboard audio effects hardware that is capable of processing the signal through more than one effect. In modern effects hardware multi effects are more common and usuall. Used . y include many different effects by which the audio can be processed.. Used . ...

Fog - A fogger is a device that emits a dense vapor that appears similar to fog or smoke,
usually by the vaporization of a water and glycol based or glycerine based fluid. A hazer or diffusion fogger. Used . is used to produce an atmospheric haze, rather than clouds of smoke, and is used by many lighting designers to reveal airborne light beams, especially lazers. . Used . ...

Limelight - An early type of stage light in which an intense illumination is created when an oxyhydrogen flame is directed at a cylinder of lime, also called calcium oxide, which can be raised to white incandesce. Used . nce heat without melting to producing brilliant illumination. The limelight effect was discovered early in the nineteenth century by Goldsworthy Gurney. A Scottish engineer, Thomas Drummond. Used . , realized that the light would be useful for surveying and built a working version in 1826. Therefore, the light is sometimes known as the Drummond Light. The Limelights first theatrical use was in 1837 at ...

Used Line Array Speakers

Line array speakers make up a loudspeaker system to create a sound source that produces an evenly distributed sound output. The driver of each line array element is close enough to the driver of the next element to create constructive interference. The resulting sound waves go farther than sound waves from traditional loudspeakers. Line array systems date back to the early days of research in acoustics. Many old town halls and public venues still have old line source boxes which were found to project voice well though they are much smaller than horn-loaded speakers. These days, line array speakers use different drivers for high-, mid- and low-frequency passbands that must be in line. Each enclosure must be set up closely to form columns composed of these drivers. To increase the frequency range and maximum sound pressure, the number of drivers per enclosure must be increased. The orientation of line array speakers may vary. Vertical arrays are excellent for focusing sound at audiences without wasting output energy on ceilings or empty air above the audience because of its very narrow vertical output with a normally-wide horizontal pattern. On the other hand, horizontal line arrays have a very narrow horizontal output with a tall vertical pattern. For hanging concert speakers which are usually part of a concert reinforcement system, enclosures are set up together using a specialized rigging hardware and they hang from a single point. These line array speakers are curved backward at the lower portion so that the sound will reach more audience.
$4,603
€3.246
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