Used VL3515 Spot | For Sale Item# 36002

Vari-Lite
Vari-Lite
View more VL3515 Spot
View more Moving Lights

Find It on UsedLighting.com

Quantity 32 (Minimum Order 2)
Condition Excellent / Few Scratches
Year 2013
Location North America
Case Type Dual
Previous Use Rentals
Warranty 7 Day

Description

Previously used in various rentals. Cleaned and maintained by in house technicians.

Find It on UsedLighting.com

What's Included

(1) VL3515 Spot
(1) Connector
(2) Hanging Rails
(1) Dual Flight Case with the purchase of (2) units.

Featured & Other Moving Lights

Featured & HOT Deals

Vari-Lite | Solaris

Vari-Lite

Vari-Lite

Buy Vari-Lite

A "technical creative soul" has kept Vari-Lite at the forefront of the automated lighting industry since 1981. The company is founded on the belief that creative engineering can join with creative lighting to bring a new dimension to any...

Product Information

VL3515 Spot

VL3515 Spot

Proudly built in the USA, the VARI*LITE VL3515 Spot luminaire provides the increased output of a 1500W lamp in a fixture that offers the same features as the wildly popular VL3500 Spot luminaire.

Using the highly reliable 1500W Osram double-ended short arc lamp, the VL3515 Spot also features 6:1 zoom optics, CYM color mixing, variable CTO color temperature correction, a six-position color wheel, two gobo/effects wheels, a shutter and separate dimmer, and ultra-fast Strobe mechanisms..

The VL3515 luminaire has an added feature of a four-blade shutter mechanism that allows the blades to be operated independently or in unison on two planes for a clear and crisp image.

Two reflectors are standard on the luminaire allowing users to choose between either a peaked or flat field beam. In the peaked beam, the fixture provides 27,000 lumens of output, and in the flat field beam, an output of 22,000 lumens is achieved. Reflectors are easily changed, and whichever one is not chosen rides securely inside the luminaire on a specially designed mount.

The VL3515 Spot luminaire is complete with a palette of VARI*LITE Gobos, effects and colors, while custom Gobos, effects and colors are also available. Additionally, the fixture is similarly sized in comparison to all other Series 3000 products providing a consistent hang configuration and appearance, no matter which luminaire is required.

The VL3515 Spot luminaire allows users to operate its single lamp at three different wattages via either a control channel setting or a lamp menu option. With only a setting adjustment, the fixture will run its short arc lamp at 900W, 1200W or 1650W without any detrimental effects on the lamp.

Vari-Lite

A "technical creative soul" has kept Vari-Lite at the forefront of the automated lighting industry since 1981. The company is founded on the belief that creative engineering can join with creative lighting to bring a new dimension to any performance or presentation. That notion first took root when Rusty Brutsché and Jack Maxson founded Showco in 1970. Innovation made Showco the premier sound and lighting equipment rental firm for the concert touring industry. A decade following Showco's initial success, company officials found themselves working on another technical leap, this time within the field of automated lighting. Until the 1980s, stage lighting systems for concerts and theater productions were bulky with numerous fixtures (a typical rock concert usually required up to 3,000 separate lights). Each light had to be manually focused and colored using celluloid gel material placed in front of each lighting fixture. To achieve color changes, the lighting fixtures had to be turned on and off or dimmed using electronic dimmers controlled by a computer lighting console. Throughout the late '70s, engineers worked to develop a color changer for a lighting fixture. Finally, they arrived at a solution: forget the "add-on" schemes, and concentrate on using internal dichroic coated glass filters and metal halide bulbs. The dichroic filters could be used to change colors almost instantaneously and create saturated colors not capable from the gel filters. That might have been the extent of their advancement if for a barbecue lunch in the fall of 1980. At that gathering, the idea of adding two extra motors to the fixture to actually make the light move was conceived. This "eureka" moment facilitated an all-out building effort for a fully automated lighting system that resulted in a prototype in December 1980. Shortly thereafter, the engineering team flew to London to show the prototype automated light (named "VL Zero") to longtime Showco client, Genesis. The British band had long been at the forefront of cutting-edge performance art technology, and was in rehearsal for an upcoming tour. At an English countryside studio, the new luminaire made its debut on the side of a 500-year-old barn. The prototype light had been programmed to enact two simple cues. The first reaction from the presentation came from band member Mike Rutherford: "I expected the color change, but by jove, I didn't know it was going to move." It was enough to convince Genesis to immediately invest in developing this new technology. Genesis wowed the audience with the first VARI*LITE® Series 100? system consisting of 50 VL1? luminaires and a computerized control console on the opening night of their "Abacab" tour on September 25, 1981 in a bullring in Barcelona, Spain. That rural demonstration was the "Genesis" of a new company - Vari-Lite, coined from a suggestion by Genesis manager Tony Smith. The new system was developed, complete with a programmable console that enabled lighting designers to create lighting effects that electrified the lighting industry and began a revolution that continues to this day. The dichroic color changing system allowed for up to 60 preselected colors to be changed in less than a tenth of a second and the computer control of the color change, dimming and movement of the light beams created stunning visual effects. The original VARI*LITE system was patented in 1983, and Vari-Lite has received numerous other U.S. and international patents on automated lighting technology as it has continued to innovate and develop the technology. Inspired by the magic of moving light and changing color, Vari-Lite set about creating complete lighting systems that add subtle nuance or brilliant spectacle to any event. The company offers designers the ultimate tool for creating lighting moments to remember. Since the beginning, Vari-Lite has led the world in automated lighting technology; developing pioneering products with an unrivaled reputation. Today, lighting professionals in theatre, television, concerts, motion pictures, corporate shows and advertising, look to Vari-Lite for inspiration and support for their productions.

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.

Used Stage Lighting Rigging Equipment Rentals Video Equipment Rentals Audio Equipment Rentals Best Locksmith Las Vegas