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Item #28454
Priced per pair including case. Used on various rentals.
North America

$11,308 USD
€8.836 EUR
More currencies
Priced Per Unit
Like New
Quantity:
12 Units
Year:
Call for Age
Case:
Dual
Warranty:
2 Day
Condition:
Like New
Quantity:
12 Units
Year:
Call for Details
Case:
Dual
Usage:
Various Rentals
Warranty:
2 Day
Location:
North America
Description & Maintenance
In very good condition.
Included
(2) VL2500 Spot
Dual case
Clamps, hooks and cables


Financing Available
US Customers Only
On purchases of $1,000 USD or more.

Used VL2500 Spot For Sale
Used on various rentals. In extremely good condition. 7 day warranty.

$5,278 USD
€4.024 EUR
More currencies
Quantity:
10
Year:
2007
Normal Wear & Tear

7 Day
Warranty
VL2500 Spot in good condition.

$2,484 USD
€1.941 EUR
More currencies
Quantity:
5
Year:
2008
Normal Wear & Tear

30 Day
Warranty
VL2500 Spot in good condition. Minimum purchase of (2) units. Priced per unit.

$3,292 USD
€2.572 EUR
More currencies
Quantity:
12
Year:
2005
Normal Wear & Tear

7 Day
Warranty
VL2500 Spot in great condition. Minimum purchase of two units.

$3,118 USD
€2.319 EUR
More currencies
Quantity:
22
Year:
2008
Excellent / Few Scratches

7 Day
Warranty
VL2500 Spot in great condition.

$3,292 USD
€2.448 EUR
More currencies
Quantity:
30
Year:
2008
Normal Wear & Tear

30 Day
Warranty
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VL2500 Spot in good condition.
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What You Need to Know
  1. All purchases must be pre-paid.
  2. No products will ship until all funds are confirmed as cleared.
  3. All check, included cashiers checks, must clear before products will ship.
  4. Availability & Pricing of products are subject to change at any time.
  5. You MUST contact Solaris™ and inspect your equipment immediately upon arrival (48 hours) or your warranty will be void.
  6. To claim a warranty on equipment you must contact Solaris™ immediately and fill out a warranty claim.

Payment Types
    TT & Wire Transfers
  1. TT and wire transfers are the fastest way to purchase and ship your products.
  2. International wire transfers can take up to 3-5 days to clear the bank.

    Cashiers Checks
  1. Cashiers checks must clear the bank before products can ship.

    Company & Personal Checks
  1. Company and personal checks must clear the bank before products can ship.

    Credit Cards
  1. Credit cards can only be used for smaller purchases.
  2. Credit cards require an authorization form, proof of identity and bank confirmation.

    PayPal, Western Union, etc
  1. PayPal, Western Union and other types of payments are not accepted.



Product Details
VL2500 Spot

VL2500 Spot

The VARI*LITE VL2500 Spot luminaire is based on a very popular existing lighting tool - the VL2000 Spot Luminaire - with additional new features that make it even more appealing.

The VL2500 Spot luminaire comes complete with all of the qualities and options designers love from the original Series 2000 fixtures. It is still small, lightweight, and fast with a 700-watt shortarc lamp, impressive lumen output, and a zoom range from 18.5deg to 42deg.

To add to these features, the VL2500 Spot luminaire provides three-wheel CYM color mixing. When combined with 11 standard colors on a fixed wheel, the color options are practically limitless.

Additionally, a coated glass dimmer wheel provides smooth fades, and a separate dualblade stRobe system offers quiet and reliable stRobe effects. The VL2500 Spot luminaire's pan and tilt motors are now more powerful and provide more torque.

For image projection, the fixture has one gobo wheel with five rotatable and indexable positions and a second gobo wheel with 11 fixed positions.

The VL2500 Spot luminaire contains everything that really matters to designers - limitless color options, clarity of optics, exceptional zoom range, fast, smooth movement and powerful output.

The VL2500 Spot luminaire can be controlled from virtually any DMX512 console or DMX output device.
Vari-Lite

Used Vari-Lite

A "technical creative soul" has kept Vari-Lite at the forefront of the automated lighting industry since 1981. The company is founded on the belief that creative engineering can join with creative lighting to bring a new dimension to any performance or presentation. That notion first took root when Rusty Brutsché and Jack Maxson founded Showco in 1970. Innovation made Showco the premier sound and lighting equipment rental firm for the concert touring industry. A decade following Showco's initial success, company officials found themselves working on another technical leap, this time within the field of automated lighting. Until the 1980s, stage lighting systems for concerts and theater productions were bulky with numerous fixtures (a typical rock concert usually required up to 3,000 separate lights). Each light had to be manually focused and colored using celluloid gel material placed in front of each lighting fixture. To achieve color changes, the lighting fixtures had to be turned on and off or dimmed using electronic dimmers controlled by a computer lighting console. Throughout the late '70s, engineers worked to develop a color changer for a lighting fixture. Finally, they arrived at a solution: forget the "add-on" schemes, and concentrate on using internal dichroic coated glass filters and metal halide bulbs. The dichroic filters could be used to change colors almost instantaneously and create saturated colors not capable from the gel filters. That might have been the extent of their advancement if for a barbecue lunch in the fall of 1980. At that gathering, the idea of adding two extra motors to the fixture to actually make the light move was conceived. This "eureka" moment facilitated an all-out building effort for a fully automated lighting system that resulted in a prototype in December 1980. Shortly thereafter, the engineering team flew to London to show the prototype automated light (named "VL Zero") to longtime Showco client, Genesis. The British band had long been at the forefront of cutting-edge performance art technology, and was in rehearsal for an upcoming tour. At an English countryside studio, the new luminaire made its debut on the side of a 500-year-old barn. The prototype light had been programmed to enact two simple cues. The first reaction from the presentation came from band member Mike Rutherford: "I expected the color change, but by jove, I didn't know it was going to move." It was enough to convince Genesis to immediately invest in developing this new technology. Genesis wowed the audience with the first VARI*LITE® Series 100? system consisting of 50 VL1? luminaires and a computerized control console on the opening night of their "Abacab" tour on September 25, 1981 in a bullring in Barcelona, Spain. That rural demonstration was the "Genesis" of a new company - Vari-Lite, coined from a suggestion by Genesis manager Tony Smith. The new system was developed, complete with a programmable console that enabled lighting designers to create lighting effects that electrified the lighting industry and began a revolution that continues to this day. The dichroic color changing system allowed for up to 60 preselected colors to be changed in less than a tenth of a second and the computer control of the color change, dimming and movement of the light beams created stunning visual effects. The original VARI*LITE system was patented in 1983, and Vari-Lite has received numerous other U.S. and international patents on automated lighting technology as it has continued to innovate and develop the technology. Inspired by the magic of moving light and changing color, Vari-Lite set about creating complete lighting systems that add subtle nuance or brilliant spectacle to any event. The company offers designers the ultimate tool for creating lighting moments to remember. Since the beginning, Vari-Lite has led the world in automated lighting technology; developing pioneering products with an unrivaled reputation. Today, lighting professionals in theatre, television, concerts, motion pictures, corporate shows and advertising, look to Vari-Lite for inspiration and support for their productions.
Patch Bays - A patch bay is a panel, usually rack mounted, that uses cable connections to allow technicians to quickly change the physical path of a select signal. Generally, shorter patch cables will plug into fr. Used . ont of the panel, while the back will have have much longer connections to more permanent cables and equipment. . Used . ...

Amplifier - The amplifier can be considered to be any device that uses a small amount of energy to control a larger amount, although the term today usually refers to an electronic amplifier. The relationship of t. Used . he input to the output of an amplifier usually expressed as a function of the input frequency is called the transfer function of the amplifier, and the magnitude of the transfer function . Used . is termed the gain. There are numerous types of electronic amplifier depending upon the application....

Zoom Flash - A flash with the capability of adjusting the width of its beam to accurately fit the angle of the lens being used.. Used . . Used . ...

Editing Suites - An editing suite is one or more high performance servers used for all kinds of graphics manipulation from picture quality improvements, color correction and format conversion to higher or lower resolu. Used . tions or different aspect ratios. Servers and storage systems as well as computing intensive image processing are at the heart of editing suite applications.. Used . ...

Fog - A fogger is a device that emits a dense vapor that appears similar to fog or smoke,
usually by the vaporization of a water and glycol based or glycerine based fluid. A hazer or diffusion fogger. Used . is used to produce an atmospheric haze, rather than clouds of smoke, and is used by many lighting designers to reveal airborne light beams, especially lazers. . Used . ...

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
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