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Item #23849
Digico SD7 Console with Digirack comes with Fight Case, Dual Engine, Optocore and Latest Software.
Europe

$151,403 USD
€110.000 EUR
More currencies
Priced Per Unit
Excellent / Few Scratches
Quantity:
1 Unit
Year:
2008
Case:
Single
Warranty:
15 Day
Condition:
Excellent / Few Scratches
Quantity:
1 Unit
Year:
2008
Case:
Single
Usage:
Various Rentals
Warranty:
15 Day
Location:
Europe
Description & Maintenance
Has Been Well Maintained and is Excellent Working Order. No Maintenance Required - Plug and Play.
Included
SD7 Console
Flight Case
Latest Software Version
Dual Engin
Optocore

Digirack:
56in/24out and Optocore
Optocore Loop:
150 meters


Financing Available
US Customers Only
As low as $3,142 USD per month for this item.

Used SD7 For Sale
Digico SD7 Console with Digirack comes with Fight Case, Dual Engine, Optocore and Latest Software.

$151,403 USD
€110.000 EUR
More currencies
Quantity:
1
Year:
2008
Excellent / Few Scratches

15 Day
Warranty
Like new SD7, used in a single tour from 2012.

$107,138 USD
€77.840 EUR
More currencies
Quantity:
1
Year:
2012
Like New

30 Day
Warranty
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Like new SD7, used in a single tour from 2012.
$107,138 : €77.840
D1 Live in good condition.
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D5 package with 56 channels.
$36,572 : €26.571
D5 RE in good condition.
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Complete D5 56ch package including local rack. Used on various rentals.
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In mint condition. Comes with a 90 day warranty and case.
$57,876 : €42.049
Complete functional system.
$40,250 : €30.724
Corporate used SD8 in great condition.
$28,519 : €20.720

SD7 News
November 12th, 2011
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What You Need to Know
  1. All purchases must be pre-paid.
  2. No products will ship until all funds are confirmed as cleared.
  3. All check, included cashiers checks, must clear before products will ship.
  4. Availability & Pricing of products are subject to change at any time.
  5. You MUST contact Solaris™ and inspect your equipment immediately upon arrival (48 hours) or your warranty will be void.
  6. To claim a warranty on equipment you must contact Solaris™ immediately and fill out a warranty claim.

Payment Types
    TT & Wire Transfers
  1. TT and wire transfers are the fastest way to purchase and ship your products.
  2. International wire transfers can take up to 3-5 days to clear the bank.

    Cashiers Checks
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    Company & Personal Checks
  1. Company and personal checks must clear the bank before products can ship.

    Credit Cards
  1. Credit cards can only be used for smaller purchases.
  2. Credit cards require an authorization form, proof of identity and bank confirmation.

    PayPal, Western Union, etc
  1. PayPal, Western Union and other types of payments are not accepted.



Product Details
SD7

SD7

Introduction

When the professional audio world first set eyes on the DigiCo D5 Live there was a collective sharp intake of breath. Here was the digital mixing console that gave you the best of analogue working practices and audio finesse with all the versatility and feature richness that the digital environment could offer.

Several years on, the D Series remains the standard setter and its fast, engineer friendly user interface has yet to be beaten.

To many engineers it continues to offer the optimum sonic combination of analogue smoothness and digital clarity.

But expectations continue to rise. In a world as competitive for engineers as it is for console owners, you want the best tools you can lay your Hands On. You also want a console as well thought out for every major application as it is designed for the art and science of sound engineering.

Above all, you want to do more.

Meet the DigiCo SD7.

The next generation plus one of digital sound engineering.
DigiCo

Used DigiCo

DiGiCo (UK) Limited brings together the design and development skills that have helped create some of the world's most popular, successful and ground-breaking live sound consoles, with the digital engineering expertise and manufacturing resources of Soundtracs. The company was formed in 2002 to develop the D5 Live digital mixing system, a revolutionary approach to both the live sound console and the way it interfaces with both ends of the audio chain. In basing a console around a powerful DSP engine using proven Soundtracs hardware and software, but with features dedicated to live sound mixing, DiGiCo created the world‚??s first truly open-ended console system, for which additional features will be made available in new software versions. This design philosophy ensures your investment in state of the art audio technology today will remain state of the art in the future. The D5 Live from DiGiCo: science dedicated to advancing the art of live sound engineering. Soundtracs was formed in the early 1980s by a group of recording engineers in search of a better studio console than those available at the time. The team‚??s success led to two decades of audio innovation and, in 1992, its first development of a digital audio mixing console. In 1996 this program led to the launch of the acclaimed Virtua console, followed a year later by the DPC, in 1998 the DS3 and in 2000 the D4. Since 2000 the company‚??s product range has been based entirely on digital audio. Along the way a host of new technologies has been introduced, including the first use by a console manufacturer of the revolutionary Sharc DSP from Analog Devices, a faster, more efficient processor than any then on the market, the first (and still the most comprehensive) use of multiple TFT LCD touchscreens, a pioneer in the use of a 96kHz sample rate, and the first to run multiple sample rates simultaneously. This is just some of the experience that has gone into creating the D1 Live digital mixing system, the latest innovation from one of the pioneers of professional digital audio.
AB - A stereo recording technique. Two microphones of the same make and model are located next to one another in , and point in the same direction. The left mic is panned hard left on the mixer. The right. Used . mic is panned hard right.

This technique has flaws, such as audio reflections from each mic which can cause comb filtering (narrow coverage). This can be somewhat corrected by s. Used . pacing the mics out, but this will not fully correct the problem and can lead to muddy sound from delay artifacts.

Volt - A unit in the international system representing the electric potential and electromotive force equal to the difference of electric potential between two points on a conducting wire carrying a constant. Used . current of one ampere when the power dissipated between the points is one watt. Named after Alessandro Volta for his work with batteries, the term was adopted in the 1880s and is still in u. Used . se today....

Compression and Dynamics - Compression is the reduction of the dynamic range of a sound to avoid unintentional changes and increases in the amplitude. Compression is generally used to make an audio signal sound louder without i. Used . ncreasing its peak amplitude. By compressing or limiting the peak signals, it becomes possible to increase the overall volume of the signal without exceeding the dynamic limits of a device or. Used . medium. This causes quiet sounds to become louder, while louder sounds remain unchanged....

Bump Button - A lighting console button that performs on action when pressed and another when released. This is a lighting console term.. Used . . Used . ...

Zoom Ellipsoidal - A type of profile spot with two lenses allowing the adjustment of both the size of the beam and whether it is a hard or soft focus. This adjustment of focal length makes for an instrument with many us. Used . es around the stage. The flexibility is also vital when working with gobos. Also known (in the US) as a Zoom Ellipsoidal.. Used . ...

Used Audio Mixers

Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device. Sound consoles do a great deal more than just combining different audio signals ‚?? they allow users to optimize the sound output in a number of ways ‚?? adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product. When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used. Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk. Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified ‚?? for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.
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