When the professional audio world first set eyes on the DigiCo
D5 Live there was a collective sharp intake of breath. Here was the digital mixing console that gave you the best of analogue working practices and audio finesse with all the versatility and feature richness that the digital environment could offer.
Several years on, the D Series remains the standard setter and its fast, engineer friendly user interface has yet to be beaten.
To many engineers it continues to offer the optimum sonic combination of analogue smoothness and digital clarity.
But expectations continue to rise. In a world as competitive for engineers as it is for console owners, you want the best tools you can lay your Hands On
. You also want a console as well thought out for every major application as it is designed for the art and science of sound engineering.
Above all, you want to do more.
Meet the DigiCo
The next generation plus one of digital sound engineering.
DiGiCo (UK) Limited brings together the design and development skills that have helped create some of the world's most popular, successful and ground-breaking live sound consoles, with the digital engineering expertise and manufacturing resources of Soundtracs.
The company was formed in 2002 to develop the D5 Live digital mixing system, a revolutionary approach to both the live sound console and the way it interfaces with both ends of the audio chain.
In basing a console around a powerful DSP engine using proven Soundtracs hardware and software, but with features dedicated to live sound mixing, DiGiCo created the world‚??s first truly open-ended console system, for which additional features will be made available in new software versions. This design philosophy ensures your investment in state of the art audio technology today will remain state of the art in the future. The D5 Live from DiGiCo: science dedicated to advancing the art of live sound engineering.
Soundtracs was formed in the early 1980s by a group of recording engineers in search of a better studio console than those available at the time. The team‚??s success led to two decades of audio innovation and, in 1992, its first development of a digital audio mixing console.
In 1996 this program led to the launch of the acclaimed Virtua console, followed a year later by the DPC, in 1998 the DS3 and in 2000 the D4. Since 2000 the company‚??s product range has been based entirely on digital audio.
Along the way a host of new technologies has been introduced, including the first use by a console manufacturer of the revolutionary Sharc DSP from Analog Devices, a faster, more efficient processor than any then on the market, the first (and still the most comprehensive) use of multiple TFT LCD touchscreens, a pioneer in the use of a 96kHz sample rate, and the first to run multiple sample rates simultaneously.
This is just some of the experience that has gone into creating the D1 Live digital mixing system, the latest innovation from one of the pioneers of professional digital audio.
- Dimmer racks are cabinets designed for stacking many dimmer modules into an easily accessible space. They can be permanent architectural installments or portable units built for road travel and vary i. Used . n size from small rack with only a few dimmer modules to very large racks with hundreds. . Used . ...Power Distro
- A power distro send power evenly and appropriately to various staging and rigging equipment to insure there is enough power to properly run the various equipment.. Used . . Used . ...Moving Light
- A moving light truss has a wider opening to accommodate the space required for a moving head light. . Used . . Used . ...Analog to Digital Converter
- In electronics, an analog-to-digital converter (abbreviated ADC, A/D, or A to D) is a device that converts continuous signals to discrete digital numbers. Typically, an ADC converts a voltage to a di. Used . gital number. The digital to analog converter or DAC performs the reverse operation. . Used . Lens
- A lens is a device for either concentrating or diverging light, usually formed from a piece of shaped glass. Analogous devices used with other types of electromagnetic radiation are also called lense. Used . s: for instance, a microwave lens can be made from paraffin wax.
The earliest records of lenses date to Ancient Greece, with Aristophanes' play The Clouds (424 BC) mentioning a b. Used . urning-glass (a convex lens used to focus the sun's rays to produce fire). The writings of Pliny the Elder (23-79) also show that burning-glasses were known to the Roman Empire, and mentions what is possibly t
Used Audio Mixers
Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device.
Sound consoles do a great deal more than just combining different audio signals ‚?? they allow users to optimize the sound output in a number of ways ‚?? adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product.
When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used.
Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk.
Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified ‚?? for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.