When the professional audio world first set eyes on the DigiCo
D5 Live there was a collective sharp intake of breath. Here was the digital mixing console that gave you the best of analogue working practices and audio finesse with all the versatility and feature richness that the digital environment could offer.
Several years on, the D Series remains the standard setter and its fast, engineer friendly user interface has yet to be beaten.
To many engineers it continues to offer the optimum sonic combination of analogue smoothness and digital clarity.
But expectations continue to rise. In a world as competitive for engineers as it is for console owners, you want the best tools you can lay your Hands On
. You also want a console as well thought out for every major application as it is designed for the art and science of sound engineering.
Above all, you want to do more.
Meet the DigiCo
The next generation plus one of digital sound engineering.
DiGiCo (UK) Limited brings together the design and development skills that have helped create some of the world's most popular, successful and ground-breaking live sound consoles, with the digital engineering expertise and manufacturing resources of Soundtracs.
The company was formed in 2002 to develop the D5 Live digital mixing system, a revolutionary approach to both the live sound console and the way it interfaces with both ends of the audio chain.
In basing a console around a powerful DSP engine using proven Soundtracs hardware and software, but with features dedicated to live sound mixing, DiGiCo created the world‚??s first truly open-ended console system, for which additional features will be made available in new software versions. This design philosophy ensures your investment in state of the art audio technology today will remain state of the art in the future. The D5 Live from DiGiCo: science dedicated to advancing the art of live sound engineering.
Soundtracs was formed in the early 1980s by a group of recording engineers in search of a better studio console than those available at the time. The team‚??s success led to two decades of audio innovation and, in 1992, its first development of a digital audio mixing console.
In 1996 this program led to the launch of the acclaimed Virtua console, followed a year later by the DPC, in 1998 the DS3 and in 2000 the D4. Since 2000 the company‚??s product range has been based entirely on digital audio.
Along the way a host of new technologies has been introduced, including the first use by a console manufacturer of the revolutionary Sharc DSP from Analog Devices, a faster, more efficient processor than any then on the market, the first (and still the most comprehensive) use of multiple TFT LCD touchscreens, a pioneer in the use of a 96kHz sample rate, and the first to run multiple sample rates simultaneously.
This is just some of the experience that has gone into creating the D1 Live digital mixing system, the latest innovation from one of the pioneers of professional digital audio.
- Scaffolding is a temporary platform or framework, either supported from below or suspended, that is used to support people and material during the set up and deconstruction of a stage or venue.
. Used .
. Used . ...Amphitheatre
- The name amphitheatre (alternatively amphitheater) is given to a public building of the Classical period (being particularly associated with ancient Rome) which was used for spectator sports, games an. Used . d displays.
Apart from function, the important outward distinction between an amphitheatre and a theatre is that an amphitheatre is round or oval in shape (whereas a classical th. Used . eatre was semi-circular). However, an amphitheatre differs from a circus, which was used for racing and looked more like a very long, narrow horse shoe.
The best-known amphitheatre in the world is...Amplifier
- The amplifier can be considered to be any device that uses a small amount of energy to control a larger amount, although the term today usually refers to an electronic amplifier. The relationship of t. Used . he input to the output of an amplifier ó usually expressed as a function of the input frequency ó is called the transfer function of the amplifier, and the magnitude of the transfer function . Used . is termed the gain. There are numerous types of electronic amplifier depending upon the application....Scanners
- A scanner is an intelligent light that uses a mirror to perform a large variety of effects and operations while the fixture itself remains stationary. Scanners are generally remotely controlled by a l. Used . ighting control console, but some can be preprogrammed. A single scanner can replace the functions of many conventional lights and can often perform tasks conventional lights can not. Most m. Used . odern scanners utilize DMX-512 signals for control, but some can be controlled by way of analog signals as well. ...Hertz
- A unit of measure for frequency generally applied to waveforms, one Hertz is equal to one cycle in one second. It is abbreviated Hz so that 100 Hz would be 100 cycles per second. However, the unit m. Used . ay be applied to periodic events other than waveforms like the second hand on a clock, which would cycle at 1 Hz, or a human heart that may beat at 1.2 Hz. Named after the German physicist H. Used . einrich Rudolf Hertz, the name was established in 1930, but did not replace the term cycles per second until the 1970s.
Used Audio Mixers
Audio mixers, or sound consoles, are electronic sound mixing boards used to combine two or more audio signals, before directing them to the output channels connected to the device.
Sound consoles do a great deal more than just combining different audio signals ‚?? they allow users to optimize the sound output in a number of ways ‚?? adjusting various sound levels, enhancing sound with special effects and equalization etc, allowing for unmatched control over the end product.
When there is a need for high quality sound control and output, audio mixers are an essential item for audio team. Mixing desks are used on stage in live concerts to combine the sound input from various musical instruments in to a stereo master mix. For TV and movie studios, sound consoles are essential to combine the various sounds from the numerous different microphones that will be used.
Audio mixers are available in a wide range of different shapes, sizes and designs, beginning with smaller units designed for portability, right up to the enormous sound consoles used in recording studios. The term audio mixer actually refers to any kind of sound mixing board, whereas a sound console is usually a device which sits permanently on a desk.
Technicians usually differentiate audio mixers according to how many channels they have. Fairly standard in the recording industry is the 12-channel mixer, in which you can hook up a total of 12 input sources. Sound consoles can also be more specified ‚?? for example, a 24 x 4 x 2 mixer has 24 inputs, 4 sub-group channels and 2 output channels.