The amazing Robin 300 Plasma Spot Light is the first in a unique and new era of plasma lamp based fixtures from Robe. Robin 300 Plasma Spot light is the first in a new generation of fixtures we have all been dreaming about! A perfect colour rendering index (CRI = 94), an extremely flat and even light beam (1 : 1.5) and a lifespan of 10.000 hours - all these fantastic features exist thanks to a brand new light source the plasma lamp, which is now being introduced to the market. Moreover, the new plasma lamp source offers a dimming capability from 20 - 100% and a semi-hot restrike function (less than 120 sec. for full lamp brightness after shutting off).
Details:
Source
Lamp: Plasma source
Approved model: LifiENT 31-02
Control: Automatic and remote on/off
Optical System
Beam angle: 10deg - 40deg
Electrical Specification
Power Supply: Electronic auto-ranging
Input voltage range: 100-240V, 50/60Hz
Power consumption: 390 VA at 230V/50Hz
Mechanical Specification
Height: 516 mm (20.3″) - head in horizontal position
Width: 433 mm (17.0″)
Depth: 470 mm (18.5″)
Weight: 21 kg (46.3 lbs)
Thermal
Maximum ambient temperature: 45degC (113degF)
Maximum surface temperature: 60degC (140degF)
Rotating Gobos
Outside diameter: 26.8 mm
Image diameter: 22.0 mm
Thickness: 1.1 mm (max. thickness=4mm)
Recommended glass: High temperature borofloat or better glass
Control and Programming
Setting & Addressing: Robe Navigation System 2 (RNS2)
Protocol: USITT DMX-512, RDM, ArtNet, MA Net, MA Net2
Control channels: 22, 24, 31
3 DMX protocol modes
3-editable programs, each up to 99 steps
Stand-alone operation
Display:
QVGA Robe touch screen with battery backup gravitation sensor for auto screen positioning operation memory service log with RTC
Pan/Tilt resolution: 16bit
Movement control: Tracking and vector
Colour wheel positioning: 8 or 16bit
Static gobo wheel positioning: 8 or 16bit
Rotating gobos: 8 or 16bit
Iris: 8 or 16bit
Frost: 8bit
Focus: 8 or 16bit
Dimmer: 8 or 16bit
Ethernet port: Art-Net protocol, ready for ACN
Data in/out: Locking 3-pin & 5-pin XLR
Built-in analyzer for easy fault finding
Electromechanical Effects
Cyan: 0 - 100%
Magenta: 0 - 100%
Yellow: 0 - 100%
CTO: 0 - 100%
Colour wheel: 7 replaceable ″SLOT&LOCK″ dichroic filters + open, trapezoid shape
Static Gobo wheel: 9 replaceable ″SLOT&LOCK″ metal gobos + open
Rotating Gobo wheel: 7 rotating, indexable, replaceable ″SLOT&LOCK″ dichroic and black and white glass gobos + open
Iris: Motorized, stepless, up to 3Hz
Prism: 3-facet 11degindexable prism rotating in both directions at different speeds
Frost effect: separate, variable
Dimmer/Shutter: Full range dimming and variable Strobe effect, Electronic strobing ″ZAP″
Motorized zoom and focus
Pan: 540deg
Tilt: 280deg
Rigging
Mounting points: 2 pairs of -turn locks
Fixation option: Pan/Tilt-lock mechanism
2 x Omega bracket with -turn quick locks
Safety chain/rope attachment point
Robe
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
Headquarters:
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
