- 700 CMY Color Mixing Moving Head w/Animation Wheel
CONTROL FEATURES
? USITT DMX-512 (16-bit resolution)
? 24 DMX Channels
? 4 Digit L.E.D. Display
? On Board Menu Settings
? 3-pin XLR Serial Input/Output
? Sound Active Mode - Built-in Mic
? Lamp On/Off Power
OTHER FEATURES
? Modular Internal Construction 1/4 Turn Removable Lid 1/4 Turn Lamp Replacement
OPTICAL SYSTEM
? High Output Luminous- Dichroic Glass Reflector
? 14 - 32 Degree Linear Zoom
? All Lenses Are Anti-Reflection Coated
? 4900 lux @ 10M
COLORS
? Full Color Mixing with CMY Flag System
? Interchangeable Color Filters, 8 Dichroic Color Filters CTC, CTB + White, Split Colors
? Continuous, Variable Speed, Color Scrolling in Both Directions (Rainbow Effect)
? More Color Combinations Possible By Overlaying the Multi-Color Dichroic Gobo and the Colors on the Color Wheel
Gobos
? Gobo-Wheel 1: 7 Exchangeable, Rotating Quick-Snap Gobos Plus "Open"
? Gobo-Wheel 2: 9 Fixed Exchangeable Standard Gobos Plus "Open"
? Gobo Outside Diameter 26.9 mm, Image Size 23 mm
? Gobo Thickness: Glass = 1.1 - 3.0 mm, steel = 0.3 mm
? Gobo Overlay (Gobo Morphing)
ANIMATION
? 1 Variable Speed Replaceable Rotating Animation Wheel
? 4 Extra Animation Wheels Included
? 8 Optional Animation Wheels Available
SHUTTER/DIMMER
? Variable Speed Strobe Effect (1-10) Flashes Per Second
? Pre-set Variable/Random Strobe and Dimming Pulse Effect
? Dual Flag Mechanical Dimming System 0%-100%
IRIS
? Beam Narrow to Wide (4% - 100%)
? Variable Speed Iris Macros
? Small to Large and Large to Small Iris Pulse Effect
FROST
? Variable Frost Control
? Hard Edge to Soft Edge
PRISM
? 3-facet Rotating/Indexing Prism
? Both Directions At Variable Speeds
? Macro-Function For Rotating Gobos/Rotating Prism Combinations
FOCUS
? Motor Driven Focus From Near to Far
ZOOM
? 14 - 32 degree Linear Zoom
LAMP
? Phillips MSR 700/2 (700W, 72V, 7500degK, 1000 HRS) 55000 lumens, base: G22 (Medium Bi-Post)
PAN/TILT
? Automatic Pan / Tilt Position Correction
? Maximum PAN-Movement 540deg 16-bit Resolution Maximum TILT-Movement 280deg 16-bit Resolution
DIMENSIONS & WEIGHT
? (LxWxH) 19 x 14 x 29 / 482.6 x 355.6 x 736.6 mm
? 63 lbs. / 28.5 kgs.
RIGGING
? 2 X 1/4 Turn Omega Brackets 4 X M-10 Threaded Holes for Clamps
Power Supply
? Electronic Ballast
? Voltage: AC 90-260V 50/60Hz
? Power Consumption: 900W (120V=7.5A)
OPTIONAL DUAL ROAD CASE
? DRC-700
? DRC-700PRO
Elation
Elation Professional - Professional Lighting & Entertainment Products and Accessories!
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
