Thank you for purchasing our product Pilot 1200
, PR-2900. This product manual contains important information about the safe installation and use of this projector. Please read and follow these instructions carefully and keep this manual in a safe place for future
reference. Pilot 1200
is an innovative projector with an elegant housing, which complies to CE norms and
standards and uses international protocol DMX 512.
The projector uses HMI1200W/S discharge lamp and high quality optical system, which produces
bright and beautiful light beam and has 60% output lumen more than the similar products with the
same power consumption. The projector features effects of stRobe
, frost light, mixed colours and
rainbow, so it is suitable for applications in TV station, disc, singing and dancing stage, nightclub, etc.
Used PR Lighting
Founded in 1984, at Guangzhou, China, PR Lighting Ltd. has been dedicated to R&D and manufacture of professional, intelligent stage lighting, architectural lighting and LED products. After its positive evolution during the past 20 years time, the company has now pioneered in China lighting industry, and earned a solid reputation for its own brand all over the world.
- A type of discharge lamp with high output generally used in Strobe lights and flashes, though sometimes found in some followspots. These lamps utilize an internal electrical discharge passed between . Used . electrodes suspended in xenon gas. Xenon lamps have a color temperature of between 5600 - 6500įK and produce extremely intense, incoherent, full-spectrum white light usually for very short d. Used . urations. ...XGA
- Extended Graphics Array is a standard computer display introduced in 1990 by IBM. The initial version of XGA built upon IBM's VGA, adding support for two resolutions, 800 ◊ 600 pixels with high color . Used . and 1024 ◊ 768 pixels with a palette of 256 colors. XGA-2 was developed later and with 1024 x 768 pixels with high color, and 1360 x 1024 with 16 colors. However, all XGA modes have an aspe. Used . ct ratio 4:3 rounded to 8 pixels....Controllers
- A hoist or motor controller is a machine for raising and lowering personnel or gear by means of a cable for the purpose of setting the gear in place on a truss or stage.
. Used . . Used . ...Preset Boards
- Preset boards are the most basic lighting consoles - and also the most prevalent in smaller installations. They consist of two identical fader banks, called 'scenes.' The faders (control slides) on th. Used . ese scenes can be manually adjusted. Each scene has the same number of channels which control the same dimmers, but only one is live at a time, so the console operator can build a scene, then. Used . fade to it. These scenes are often referred to as A-scenes and B-scenes, and a cross-fader is used to fade between the A and B scene.
Generally, a preset board operator has a cue sheet for each s...Platforms
- Some stages are made up of many smaller table like platforms so they can be easily transported or stored. These platforms are generally used in the forming of large stages, are fastened together, com. Used . e in different hights and widths and have different materials for their surface, like woods and canvases. . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.