Packahe of (8) PHS 750E PRO Head Spot in good condition.
|Condition||Normal Wear & Tear|
Previously used on various rentals. Cleaned, maintained, and tested by authorized technicians.
(8) PHS 750E PRO Head Spot
(4) Flight Case
Multi-function Moving-head ?With electronic ballast ? Colour-wheel with 8 different, dichroic colour-filters and white ?CMY colour mixture for indefinite colour variations ?Switchable colour change (mode 1: only full colours, mode 2: colour-change at every position) ?Rainbow-effect with adjustable speed in both directions ?Slot-in system for exchanging gobos and colour-filters without tools ?Two gobo-wheels with 6 rotating gobos plus open each ?All gobos can be interchanged ?With gobo-shake function ? Preprogrammed prism-gobo-macros ?3-facet prism ?Stepless frost-filter for fading the projections in or out ?Animation-wheel for fire-effect ?Motorized focus ?Mechanic dimmer ?Steplessly adjustable iris ?Lightbeam with 15deg-30deg radiation angle ?Coloured LCD-display ?Strobe-effect with 1-13 flashes per second via shutter ?Random strobe-effect ?Exact positioning via 16 bit Pan/Tilt movement resolution ? PAN-angle switchable between 630deg and 540deg ? Control-Board with LCD-display and foil-keyboard for adjusting the DMX-starting address, Pan/Tilt-Reverse, Program, Reset, lamp on/off, operating hours ?DMX-controlled operation or stand alone operation with Master/Slave-function ?56 pre programmed scenes in Program Run for stand alone operation ?Number of scenes in Program Run can be changed individually ?The scenes in Program Run can be modified via the Control Board or via an external controller and loaded into the memory ?7 built-in programs can be called up via DMX-controller ? Sound-controlled via built-in microphone ?For MSR 700SA/DE GOLD lamp ?Software-update possible via optional accessory ?DMX-control via every standard DMX-controller What an all-rounder! You can use the multifunctional PHS-750E for TV-shows, receptions, exhibition booths or for nearly any other event. Due to the CMY coloured mixture it has no problem to create any colour you like. The continuous zoom can adjust the beam reflection angle, a fact that could be quite helpful on exhibitions, for example. Just in case a company wants its logo to appear on a special point on a certain wall and your unit is fixed to a static trussing system, let the zoom do its work. Even if the distance to this special point of the logo changes as the wall is moved a bit back or forth, leave it to the zoom. Its compact design is definitely another benefit. In comparison to the bigger brother (PHS-1200) it weighs only half as much - 30.5 kg - and after all its equipment is almost the same. Concerning the power of brilliancy, the 750E reaches 70 - 75 % anyhow. More than a little insider tip!
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.