The MiniMac Pro
file is an automated moving-head Spotlight
that provides 12 dichroic color filters, 7 interchangeable rotating gobos, high-speed mechanical shutter, 540deg of pan by 270deg of tilt, 17deg beam angle with manually adjustable focus, 3-digit LED Control
panel, and switch-selectable Power Supply
settings. It uses a 150 watt discharge source and may be operated with DMX controllers, the Martin MC-1 Remote Control
, and as a stand-alone unit with programmable 7-scene sequence, random action, and master/slave capability.
Used Martin Professional
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
- A mixer is an electronic device for combining or "mixing" audio signals by routing and changing the level, tone, and/or dynamics of the audio signals. A mixer can mix analog or digital signals depend. Used . ing on the type of mixer. The modified signals are then combined to produce a unified signal output. Mixers can vary in size and function ranging from small format having a few inputs for a . Used . DJ to large format having dozens of inputs for studio recording....Amplitude
- Amplitude is a nonnegative scalar measure of a wave's magnitude of oscillation, that is, magnitude of the maximum disturbance in the medium during one wave cycle.
Sometimes this distance . Used . is called the "peak amplitude", distinguishing it from another concept of amplitude, used especially in electrical engineering: the root mean square (RMS) amplitude, defined as the square roo. Used . t of the temporal mean of the square of the vertical distance of this graph from the horizontal axis. The use of peak amplitude is unambiguous for symmetric, periodic waves, like a sine wave, a square wave, or...Zone System
- A unique method introduced by photographers Ansel Adams and Fred Archer around 1940 for determining the best exposure and correct development for an individual photograph by way of analysiing the subj. Used . ects luminosities in terms of ten gray tones or “zones” labled 0 to IX or zero to nine and visualizing them as print densities. The zone system gives photographers a systematic method for ac. Used . curately identifing the relationship between the way they see the photographic subject and the results they achieve in their finished works....Hoist
- A hoist is a device used for lifting or lowering a load by means of a drum or barrel around which rope or chain wraps. It may be manually operated, electrically or pneumatically driven and may use cha. Used . in, fiber or wire rope as its lifting medium.
A hoist normally is used for lifting (near vertical) and a winch is normally used for pulling (near horizontal).
. Used . ...LED
- An LED or light emitting diode is simply a tiny light bulb that fits into an electrical circuit. However, unlike ordinary bulbs, LEDs don't have a filament that will burn out and generate very little . Used . heat. They are illuminated by the movement of electrons in a semiconductor material and last as long as a standard transistor.. Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ā?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ā??personalityā?¯ of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ā??liveā?¯, if they have the experience to do so.