AC Profile is an automated moving-head Spotlight
that provides 12 dichroic color filters, 7 interchangeable rotating gobos, high-speed mechanical shutter, 540deg of pan by 270deg of tilt, 17deg beam angle with manually adjustable focus, 3-digit LED Control
panel, and switch-selectable Power Supply
settings. It uses a 150 watt discharge source and may be operated with DMX controllers, the Martin MC-1 Remote Control
, and as a stand-alone unit with programmable 7-scene sequence, random action, and master/slave capability.
Used Martin Professional
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
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- A moving head is an intelligent light mounted on a moving yoke and generally remotely controlled by a lighting control console or preprogrammed to perform a large variety of effects and operations. A . Used . single moving head luminary can replace the functions of many conventional lights and can often perform tasks conventional lights can not. Most modern moving head luminaries utilize DMX-512 s. Used . ignals for control, but some can be controlled by way of analog signals as well.
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Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.