The MiniMAC Profile is an automated moving-head Spotlight
that provides 12 dichroic color filters, 7 interchangeable rotating Gobos
, high-speed mechanical shutter, 540deg of pan by 270deg of tilt, 17deg beam angle with manually adjustable focus, 3-digit LED Control
panel, and switch-selectable Power Supply
settings. It uses a 150 watt discharge source and may be operated with DMX controllers, the Martin
MC-1 Remote Control
, and as a stand-alone unit with programmable 7-scene sequence, random action, and master/slave capability.
Used Martin Professional
Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as
- A digital projection display system is a computerized display that projects an image, often a logo, on a screen, building or other architectural features like the court in a sports arena. Such devices. Used . are commonly used in presentations or as promotional devices. These displays use a very bright light to project the image, and can generally correct any curves, blurriness, and other inconsi. Used . stencies in the image....Adaptor
- A connector allowing more than 2 electrical devices to be connected to a single power source. These connections are normally in parallel (each device is given the same voltage levels), but current is . Used . divided between them. Also known as a "Twofer".
3-way splitters are known as "Threefers".. Used . ...Software Console
- Softare Lighting Consoles act just like hardware lighting consoles except that they are software driver and usually run off of a desktop or laptop computer accompanied by a DMX converter. Lighting con. Used . trol consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the entert. Used . ainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. Many modern consoles ...Working Lights
- Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...Yoke
- The metal strip running over the top and on both sides of a light to which the G-Clamp is attached. . Used . . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.