?Full DMX based machine that operates as lighting multi-fixture rig of 16 layers. Every layer is its own lighting fixture allowing the visual designer to pick and patch the layers that he/she will be using for the show. This could be all 16 layers for a total of 16 lighting fixtures comprehending a total of 440 DMX channels or it could be a slelction of the fixtures for a minimum of 64 channels (Global fixture + any layer fixture of your choice).
?DMX 512 interface allows the user to control and manipulate all the content and the effects from literally any DMX 512 control desk in the world. DMX out, Pixel mapper capabilities via ethernet.
?Complete integration with WYSIWYG Production design suite for off-line editing of your show. Brash is an active member of the RWD (Registered WYSIWYG Developer Program).
?Full DMX control on audio files (Gain, Pitch, Pan, Cue In, and Cue Out)
?A comprehensive library of textures, particle systems, overlay masks, videos and 3D shapes comes standard with the system.
?A file allocation library of 655536 allows the user to have unlimited resources to crate and perform a show.
?Unlimited amount of scenes/presets that can be easily stored in any intelligent lighting desk.
?RENDER ENHANCED performance for crisp clear images on LED screens, DLP projectors and LCD screens.
?Full RGB control for Global parameters, dynamic environmental lighting and shading effects.
?Dual output enabled: from a complete range of 640x480 pixels up to 2 independent HD outputs with resolutions of 1280x1024 each or 1280x720 pixels for a total maximum resolution of 2560x1024 pixels. (custom outputs available on spec for LED screens and special installations)
?Output formats DVI, XVGA, S-video, HDTV and composite
?Keystone correction in X, Y and Z axis in global mode and selected layers.
?Soft Edge Blending for dual output performance
?11 VIDEO FILE LAYERS that support any format 720p, (.WMV, .MOV, .AVI, .MPG, .MPEG and .MPEG4)
?3 layers of HD video
?3 LIVE VIDEO LAYERS for simultaneous output and a total of 8 composite inputs available.
?A selection of different capture cards allows the user to custom build the serve for his/her needs. From standard composite to HD or SDI, Brash captures any video format PAL or NTSC in real-time with a frame lag <100ms
?PIXEL SHADER EFFECTS in video layers allowing different effects. Such as embossed, pixilate, solarize or negative image. For file video clips and live video.
?Chromas and luma key allows the user to use these features in real-time. For file video clips and live video.
?Video cue in and cue out allows the user to pick segments of the video and loop it in real-time
?Video speed allows the user to slow down or speed up the video in real-time or pause it.
?Video RGB gives control on color parameters on every layer of file video clips and live video.
?Brash was the first media server to implement particle systems. In this generation we proudly present the video particle system allowing playing video clips in particle systems, controlling its speed, RGB, size, quantity etc.
?Every particle system has its own physics engine allowing the user to control particle speed, rotation, position, size, gravity, etc.
?The user can pick out of 16384 allocation files for particle systems or create their own, any image format compatible such as .jpg, .TGA, .PNG, .bmp, .PCX or .AVI for particle videos.
?Brash has one of the most powerful 3D engines in real-time allowing the user to create their own 3D artwork or pick out one of the standard library that comes with every system.
?File support of .3DS, .X, .WRL and ASC 3D files
?Store up to 768, 3D objects and playback a total of 6 3D entity or 3D Object
?A file allocation of 16384 textures for mapping the 3D objects
?Live video map in 3D objects and file video mapped in 3D objects
?Scale, rotation, orientation, RGB Reflection, shading and ghosting effects for every 3D entity.
?Morph and vertex animation enable, allowing the user to control the speed of the animation and the animation step for the 3D entities.
?OVERLAY MASK layer to create wipe type transition effects or to display a logo or reframe the entire scene. Accepts any image format such as TGA, .PNG, .JPG, .BMP, PCX OR AVI.
?LIVE TEXT: User can display a text on the screen by typing on the keyboard.
?Brash diagnostics utility allows the user to test DMX and MIDI inputs and test screen resolution and output or send calibration test patterns to the projector.
Used Media Servers
Media servers are a type of software application or computer hardware which are primarily used to store, share and process media files. Media servers can be specialist enterprise class machines that are capable of providing video on demand, or they can just be a simple PC or even attached storage device, although dedicated software and/or machines is used for professional applications.
The video processing server, as media servers are often labeled, is becoming steadily more popular in theater, concerts, corporate events, exhibitions and night clubs due to the increasing usage of motion graphics in such events. For this purposes, the image processing system is likely to be a high-spec PC, with a boosted hard drive, graphics system and RAM, together with something like a solid-state hard drive or a RAID system.
These media servers serve as a high performance video engine, as they will run software which allows technicians to control and manipulate the media content, such as controlling the playback of the content. In order to do so, media servers will usually included a MIDI or DMX512-A input.
A media processing engine is usually able to capture media, using specialist hardware like tuner cards, which can capture broadcasted media from analog signals. Once this media is digitally encoded, it can then be saved onto media servers and then manipulated according to the desires of the technician.
