Used MAC Viper Profile | For Sale Item# 46033

Martin Professional
Martin Professional
View more MAC Viper Profile
View more Moving Lights

Call for more information on these units. Priced per unit. Minimum order of 12 units = $58,800 USD / €56.597 EUR

Quantity 24 (Minimum Order 12)
Condition
Year Call for Age
Location North America
Case Type
Previous Use
Warranty Call

Description

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What's Included

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(Unit Price)
$4,900 USD
(Unit Price)
€4.716 EUR
Financing Available
Minimum Order of 12 Units
(Price for 12 units)
$58,800
(Price for 12 units)
€56.597
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Used MAC Viper Profile | For Sale | Martin Professional

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Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound...

Product Information

MAC Viper Profile

MAC Viper Profile

MAC Viper Performance
The MAC Viper Performance is a full-feature framing fixture that delivers an output and performance never before seen in a fixture this size or one using so little power. Unlike other fixtures in this class, the MAC Viper Performance does not forgo an iris or animation wheel they are both included along with a framing system and rotating gobos.

The framing system consists of four shutter blades that can all individually adjust +/- 30 while the entire system can rotate +/- 55. The exacting system can repeat each cue with great precision. When fully focused, gobos can be nicely framed with a soft edge. The MAC Viper Performance has adopted the compact form, impressive speed, superior light quality and beautiful colors that the MAC Viper Profile is renowned for and uses the same 1000-watt lamp.




26000 lumens Excellent light quality with a very flat and uniform field
1:5 zoom Fast zoom with auto-linked focus
Fat beam front lens The 140 mm front lens exceeds the size of any other fixture in this segment for just the right fat beam look
5 rotating gobos all glass gobos with only a slight focal separation to the framing system
Four shutter blades individually adjust +/- 30 while the entire system rotates +/- 55. Repeats cues with great precision
Animation wheel with continuous bi-directional rotation
CMY Vibrant color mixing with a superior palette of colors including true reds, rich ambers, primary green and deep blues
7-slot color wheel fixed colors for added color choice
Linear CTO Daylight to tungsten CCT control and expansion of the CMY palette
Dimmer and shutter - Combined Dimmer/shutter system with intensity effects, instant blackout/open and smooth fades
Iris Fast and tight iris with adjustable dynamic effects
Strobe Diverse Strobe effects using mechanical or electronic control or in combination
Soft frost leaves gobo artwork visible with a beautiful soft edge. Includes a linear focus blurring option
4-facet prism Real beam separation with rotation and index control for dynamic effects and accurate tiling

Martin Professional

Martin is the maker and distributor of entertainment control and intelligent lighting and effects. Martin uses the latest technologies to create these amazing machines for the entertainment industry. Martin is also a maker of high end sound systems known as

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.

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