? Bright as a 575 W fixture, in a package half the size
? Replace both 575 and 250 spot fixtures with one fully equipped moving light
? Space, weight, power saving
? Amazing zoom range from 35deg down to 9deg
? Silent Opera
tion for the quietest applications
? Iris and all other professional features
? Rotating and indexing prism effects
? CMY color mixing
? 5 colors + open
? CTO filter
? 1 aerial wheel, 7 gobos + open
? 1 break-up wheel, 7 gobos + open
? 3 rotating prisms
? Proportional zoom 9deg - 35deg
? Mechanical and electronic stRobe
(zap effect), synchronized, random, pulse effect
? Modular design for easy maintenance and servicing
? Pan 540deg, Tilt 284deg, 16 bit
? Length: 459 mm (18.1 in)
? Width: 377 mm (14.8 in)
? Height: 602 mm (23.7 in), head straight up
? Weight: 23.5 kg (51.8 lbs)
LAMP AND BALLAST:
? Type: Philips
MSR Gold 300/2 FastFit
? Color temperature: 8000 Kelvin
? Color rendering index: 75
? Average lamp life: 750 hours
? Socket: PGJX28
? Electronic ballast with Power Factor Correction
CONTROL PROTOCOL AND PROGRAMMING:
? USITT DMX512/1990
? DMX channels: 23
? Setting and addressing: LCD display or remotely
? AC power: 90 250 V, auto sensing, 50/60 Hz,
2m (6.6 ft) integral cable without power plug
? Power consumption: 2 A at 230 V, 4.4 A at 115 V
? DMX data in/out: 3 pin and 5 pin locking XLR
? RJ45 for upload and Remote Control
Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries.
COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.
- Scaffolding is a temporary platform or framework, either supported from below or suspended, that is used to support people and material during the set up and deconstruction of a stage or venue.
. Used .
. Used . ...Stage Lighting
- Modern stage lighting is a flexible tool in the production of theatre, dance, opera and other performance arts. Several different types of lighting instruments are used in the pursuit of the various p. Used . rinciples or goals of lighting. . Used . ...DMX-512
- DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.
Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology ó USITT DMX512ĖA ó Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...Amphitheatre
- The name amphitheatre (alternatively amphitheater) is given to a public building of the Classical period (being particularly associated with ancient Rome) which was used for spectator sports, games an. Used . d displays.
Apart from function, the important outward distinction between an amphitheatre and a theatre is that an amphitheatre is round or oval in shape (whereas a classical th. Used . eatre was semi-circular). However, an amphitheatre differs from a circus, which was used for racing and looked more like a very long, narrow horse shoe.
The best-known amphitheatre in the world is...Circular
- A circular truss is a truss that is shaped like a circle and generally used in large open venues where the stage can be viewed from many angles.. Used . . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.