? Bright as a 575 W fixture, in a package half the size
? Replace both 575 and 250 spot fixtures with one fully equipped moving light
? Space, weight, power saving
? Amazing zoom range from 35deg down to 9deg
? Silent operation for the quietest applications
? Iris and all other professional features
? Rotating and indexing prism effects
? CMY color mixing
? 5 colors + open
? CTO filter
? 1 aerial wheel, 7 Gobos
? 1 break-up wheel, 7 Gobos
? 3 rotating prisms
? Proportional zoom 9deg - 35deg
? Mechanical and electronic stRobe
(zap effect), synchronized, random, pulse effect
? Modular design for easy maintenance and servicing
? Pan 540deg, Tilt 284deg, 16 bit
? Length: 459 mm (18.1 in)
? Width: 377 mm (14.8 in)
? Height: 602 mm (23.7 in), head straight up
? Weight: 23.5 kg (51.8 lbs)
LAMP AND BALLAST:
? Type: Philips
MSR Gold 300/2 FastFit
? Color temperature: 8000 Kelvin
? Color rendering index: 75
? Average lamp life: 750 hours
? Socket: PGJX28
? Electronic ballast with Power Factor Correction
CONTROL PROTOCOL AND PROGRAMMING:
? USITT DMX512/1990
? DMX channels: 23
? Setting and addressing: LCD display or remotely
? AC power: 90 250 V, auto sensing, 50/60 Hz,
2m (6.6 ft) integral Cable
without power plug
? Power consumption: 2 A at 230 V, 4.4 A at 115 V
? DMX data in/out: 3 pin and 5 pin locking XLR
? RJ45 for upload and Remote Control
Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries.
COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.
- The amplifier can be considered to be any device that uses a small amount of energy to control a larger amount, although the term today usually refers to an electronic amplifier. The relationship of t. Used . he input to the output of an amplifier ó usually expressed as a function of the input frequency ó is called the transfer function of the amplifier, and the magnitude of the transfer function . Used . is termed the gain. There are numerous types of electronic amplifier depending upon the application....AB
- A stereo recording technique. Two microphones of the same make and model are located next to one another in , and point in the same direction. The left mic is panned hard left on the mixer. The right. Used . mic is panned hard right.
This technique has flaws, such as audio reflections from each mic which can cause comb filtering (narrow coverage). This can be somewhat corrected by s. Used . pacing the mics out, but this will not fully correct the problem and can lead to muddy sound from delay artifacts. LCD
- A liquid crystal display is a low power, flat, thin display device made up of color or monochrome pixels arranged in front of a light source or reflector.
. Used . . Used . ...Ellipsoidal
- Ellipsoidal is the name for a type of theatrical light, getting the name from the ellipsoidal reflector used to intensify the light of a back-loading lamp through the barrel and lens. Ellipsoidals are. Used . used for their strong, well-defined light and their versatility.
Characteristics of an ellipsoidal lighting unit include:
* An adjustable barrel, allowing a lightin. Used . g designer to change the size and focus of the light thrown by the unit by changing the distance between the mirror and the lens or lenses
* A set of brackets on the end of the barrel for the insertion o...Gobo
- A gobo is a thin circular plate with holes cut in it to create patterns of projected light. The name may be derived from a contraction of "go between", or from "GOes Before Optics". Another possible . Used . origin is from the early days of Hollywood. When the Director of Photography wanted daylight excluded from some area of the set, he'd say "GO BlackOut". Members of the crew would run around p. Used . utting black material between the sun and the set.
A gobo may be made from thin metal sheet, usually steel, or from etched glass, depending upon the complexity of the design. Glass gobos often inc
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.