? Bright as a 575 W fixture, in a package half the size
? Replace both 575 and 250 spot fixtures with one fully equipped moving light
? Space, weight, power saving
? Amazing zoom range from 35deg down to 9deg
? Silent operation for the quietest applications
? Iris and all other professional features
? Rotating and indexing prism effects
? CMY color mixing
? 5 colors + open
? CTO filter
? 1 aerial wheel, 7 Gobos
? 1 break-up wheel, 7 Gobos
? 3 rotating prisms
? Proportional zoom 9deg - 35deg
? Mechanical and electronic stRobe
(zap effect), synchronized, random, Pulse
? Modular design for easy maintenance and servicing
? Pan 540deg, Tilt 284deg, 16 bit
? Length: 459 mm (18.1 in)
? Width: 377 mm (14.8 in)
? Height: 602 mm (23.7 in), head straight up
? Weight: 23.5 kg (51.8 lbs)
LAMP AND BALLAST:
? Type: Philips
MSR Gold 300/2 FastFit
? Color temperature: 8000 Kelvin
? Color rendering index: 75
? Average lamp life: 750 hours
? Socket: PGJX28
? Electronic ballast with Power Factor Correction
CONTROL PROTOCOL AND PROGRAMMING:
? USITT DMX512/1990
? DMX channels: 23
? Setting and addressing: LCD display or remotely
? AC power: 90 250 V, auto sensing, 50/60 Hz,
2m (6.6 ft) integral cable without power plug
? Power consumption: 2 A at 230 V, 4.4 A at 115 V
? DMX data in/out: 3 pin and 5 pin locking XLR
? RJ45 for upload and Remote Control
Founded in 1933, Coemar Spa is a developer, manufacturer, and seller of lighting products and industry innovation for entertainment, architectural, and commercial applications, guaranteeing unique professional pre-sale and post-sale services. Coemar, whose headquarters are based in Castel Goffredo (MN), Italy, has grown to over 400 employees/associates around the globe, with distribution throughout almost 70 countries.
COEMAR USA (formerly Tracoman Inc.) was formed for its second run in 1999 by industry veteran GERARD COHEN, who initially struck gold with Tracoman Inc. the first time around.
- Stage or auditorium lights, independent of the main theatrical system, used during rehearsals and while the crew sets up or breaks down the stage. Also, low wattage lights used to illuminate offstage. Used . obstacles and props tables unseen by the audience.. Used . ...Angstrom
- An angstrom, angström, or ångström (symbol Å) is a unit of length. It is not an SI unit. It is accepted (although discouraged) for use with the SI. It is used sometimes used expressing the size of ato. Used . ms, and lengths of chemical bonds and visible-light spectra.
The ångström is named after the Swedish physicist Anders Jonas Ångström (18141874), one of the founders of spectrosc. Used . opy. Besides astrophysics, Ångström was also a student of heat transfer, terrestrial magnetism, and the aurora borealis, which was so prominent for him in his northern skies. He created a spectrum chart of sol...Fogger
- A Fogger or Smoke machine is an electrical device that creates clouds of artificual and hopefully non-toxic fog. The fog may come in different colors or smells and may be water or mineral based. It i. Used . s used for effects in theatre, staging, concerts and clubs.
Hazers by contrast create a more diffusive, expansive haze that is usually not a thick and is used to enhance other ef. Used . fects, such as lighting and light beams. Compression and Dynamics
- Compression is the reduction of the dynamic range of a sound to avoid unintentional changes and increases in the amplitude. Compression is generally used to make an audio signal sound louder without i. Used . ncreasing its peak amplitude. By compressing or limiting the peak signals, it becomes possible to increase the overall volume of the signal without exceeding the dynamic limits of a device or. Used . medium. This causes quiet sounds to become louder, while louder sounds remain unchanged....MS
- A stereo recording technique that uses of two different types of microphones, a directional or cardioid for the M facing forward and an omni-directional or figure-eight for the S with the lobes at a 9. Used . 0 degree angle. The main advantage being that the center sounds are not 45 degrees off-axis eliminating the gap in XY recording. Initially there were problems with reflections due to the use. Used . of two different types of mics, however mics have now been developed to overcome this problem....
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.