Golden Spot 1200 is a very powerful moving body effects projector with an HMI 1200W/S lamp that offers cutting-edge performance whilst meeting any budget.
In the 10+3 channels, the projector offers two separate gobo wheels: one for bi-directional rotating Gobos with adjustable speed, all indexable over 540deg with selectable 8 or 16 bit resolution, and the other for fixed Gobos. These two gobo wheels can also be used in combination.
The Gobos can be interchanged and selected from a vast range of dichroic and photographic versions, in decorative glass or metal.
The optical unit uses a wide-angle 24deg lens with electronic focusing, which ensures a perfectly clear image at any distance and aperture. An additional lens, housed inside the projector, can be fitted by hand to reduce the light beam to 15deg.
Clay Paky
Manufacturer of moving lights, effects, and image projectors.
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ??personality? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ??live?, if they have the experience to do so.
