The ESPII 60 console is primarily designed for the control of devices featuring DMX input circuitry such as Dimmer
s racks and colour scrollers. Units requiring an analogue input (0 to +10 volts) can also be controlled if the console is fitted with optional analogue outputs.
Jands have been designing, building and operating lighting equipment since we made our first dimmer in 1970. Since then, our products have become a standard feature of lighting rigs the world over.
Whatever country you‚??re in, ask an industry professional about Jands products and you‚??ll get the same response: ‚??reliable, good value, solid and dependable, go-anywhere do-anything, noise-free, just better.‚??
But we don‚??t just offer our own lighting equipment, we‚??ve also identified the best products available from other manufacturers. This is why we can give you the best possible lighting solution, including ETC and Varilite products.
- The lux (symbol: lx) is the SI derived unit of illuminance or illumination. It is equal to one lumen per square metre.
The difference between the lux and the lumen is that the lux takes i. Used . nto account the area over which the luminous flux is spread. 1000 lumens, concentrated into an area of one square metre, lights up that square metre with an illuminance of 1000 lux. The same . Used . 1000 lumens, spread out over ten square metres, produces a dimmer illuminance of only 100 lux.
Achieving an illuminance of 500 lux might be possible in a home kitchen with a single fluorescent lig...Intensity
- Measured in both lux and lumens. For any given luminaire (lighting instrument or fixture), this depends upon the power of the bulb, the design of the instrument (and its corresponding efficiency), the. Used . presence or absence of color gels or gobos, distance from the area to be lit, the color and subtance to be lit, and the neuro-optics of the total scene (that is, the relative contrasts to ot. Used . her regions of illumination). ...Subs
- A sub or subwoofer is a speaker dedicated to the reproduction of bass frequencies, usually from about 20 Hz to about 200 Hz. . Used . . Used . ...Aircraft Landing Light
- A narrow beam PAR lamp (28 volt) that is used on aircraft and often adopted for PAR64 and PAR46 lamps. They are most commonly 4 lamps wired in series to attain the required voltage of the circuit as . Used . close to 120 volts. ACL lamps have a higher intensity, brightness and color temperature than the standard PAR lamp.
ACL lamps are more expensive than standard PARs and have a sho. Used . rter life. Fresnel
- Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.
Fresnels use a spherical reflector, with the filament of the bulb ...
Used Lighting Consoles
Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles).
An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available.
In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512.
Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit.
The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.