Item #24086
EPS II 60 in great condition.
Europe

$3,375 USD
€2.381 EUR
More currencies
Priced Per Unit
Normal Wear & Tear
Quantity:
1 Unit
Year:
2000
Case:
Cased
Warranty:
60 Day
Condition:
Normal Wear & Tear
Quantity:
1 Unit
Year:
2000
Case:
Cased
Usage:
Various Rentals
Warranty:
60 Day
Location:
Europe
Description & Maintenance
Used on various rentals. Cleaned and tested in house.
Included
(1) EPS ll 60
(1) Flight-case


Financing Available
US Customers Only
On purchases of $20,000 USD or more.

Used EPS ll 60 For Sale
EPS II 60 in great condition.

$3,375 USD
€2.381 EUR
More currencies
Quantity:
1
Year:
2000
Normal Wear & Tear

60 Day
Warranty
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What You Need to Know
  1. All purchases must be pre-paid.
  2. No products will ship until all funds are confirmed as cleared.
  3. All check, included cashiers checks, must clear before products will ship.
  4. Availability & Pricing of products are subject to change at any time.
  5. You MUST contact Solaris™ and inspect your equipment immediately upon arrival (48 hours) or your warranty will be void.
  6. To claim a warranty on equipment you must contact Solaris™ immediately and fill out a warranty claim.

Payment Types
    TT & Wire Transfers
  1. TT and wire transfers are the fastest way to purchase and ship your products.
  2. International wire transfers can take up to 3-5 days to clear the bank.

    Cashiers Checks
  1. Cashiers checks must clear the bank before products can ship.

    Company & Personal Checks
  1. Company and personal checks must clear the bank before products can ship.

    Credit Cards
  1. Credit cards can only be used for smaller purchases.
  2. Credit cards require an authorization form, proof of identity and bank confirmation.

    PayPal, Western Union, etc
  1. PayPal, Western Union and other types of payments are not accepted.



Product Details
EPS ll 60

EPS ll 60

The ESPII 60 console is primarily designed for the control of devices featuring DMX input circuitry such as dimmers racks and colour scrollers. Units requiring an analogue input (0 to +10 volts) can also be controlled if the console is fitted with optional analogue outputs.
Jands

Used Jands

Jands have been designing, building and operating lighting equipment since we made our first dimmer in 1970. Since then, our products have become a standard feature of lighting rigs the world over. Whatever country you‚??re in, ask an industry professional about Jands products and you‚??ll get the same response: ‚??reliable, good value, solid and dependable, go-anywhere do-anything, noise-free, just better.‚?? But we don‚??t just offer our own lighting equipment, we‚??ve also identified the best products available from other manufacturers. This is why we can give you the best possible lighting solution, including ETC and Varilite products.
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Pattern - Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...

Software Console - Softare Lighting Consoles act just like hardware lighting consoles except that they are software driver and usually run off of a desktop or laptop computer accompanied by a DMX converter. Lighting con. Used . trol consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the entert. Used . ainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. Many modern consoles ...

Laser - LASER is acronym for Light Amplified by Stimulated Emission of Radiation and is an optical source that emits photons in a coherent concentrated beam. There are many different kinds of LASERs producing. Used . many different colors, but red is the most common.. Used . ...

Monitor - Monitor can refer to a speaker used on stage, usually in the shape of a wedge, to enable musicians to hear each other or a studio monitor that is designed for audio production in recording, film, tele. Used . vision and radio studios.. Used . ...

Used Lighting Consoles

Lighting consoles are electronic devices for controlling multiple lights simultaneously from one point. Dimmers for controlling lighting intensity, automated lighting, fog machines and hazers are some of the special effects lighting devices controlled by a lighting board or lighting desk (other terms for lighting consoles). An electronic control protocol is used by lighting consoles to communicate with other devices in the lighting system. Some of these are DMX512, ACN and DMX-512-A. New protocols are being introduced as more sophisticated lighting systems become available. In the entertainment industry, where theatrical lighting design is mostly used, lighting consoles are usually found in the control booth, auditorium or the foyer. For this application, the most common protocol is DMX512. Lighting consoles are available in different sizes and complexities. A preset board, a conventional console for basic lighting systems, is used mostly for small setups. However, DJs may complement it with more advanced hybrid consoles. A moving light controller works with dimmers for controlling ordinary lighting. It also provides additional controls for automated stage lighting (also called intelligent lighting) to produce very complex lighting effects. Other types of lighting consoles include memory consoles, personal-control based controllers, and remote focus unit. The light board operator (also called the light op or board op) is the person who operates the lighting console. Depending on the scale and type of production, he can be the lighting designer or the stage manager. He or she is responsible for conventional or automated lighting fixtures as well as controlling video.
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