The DL.3 Digital Light integrates a media server loaded with a wealth of digital content with a high output 4-chip light engine, a highly sensitive HAD sensor camera and an infrared illumination system. DL.3 mounts like any other intelligent moving luminaire and controls just as easily with plug-and-play Opera
tion using standard DMX cabling and protocols. Production set-up time is reduced as there is no need for RGB cabling, and racks of servers are no longer necessary at front-of-house or backstage area.
A Content Management Application running on your MAC or PC workstation or laptop computer gives you Remote Control
of uploading and crossloading content, upgrading software and fixture configuration for multiple DL.3 fixtures on a fixture network.
Used High End Systems
From Ani di Franco to ZZ Top concerts. From Super Bowl half time to popular music award shows. From trade shows and talk shows to Olympic ceremonies or church sanctuaries.
At High End Systems Inc., we innovate and create the lighting products and control systems that illuminate some of the world's biggest artists on the largest stages, as well as film and television sets, cruise ships, theme parks, restaurants and retail spaces.
Now entering our fourth decade, we're one of the world's largest entertainment lighting manufacturers, a pioneer in new digital lighting technology and producer of the industry-preferred lighting controller technology.
We attribute our success to staying in touch with the needs of the entertainment lighting community. Product research and development at our Austin, TX headquarters is an ongoing collaboration between in-house engineers and lighting designers in the field.
This collaboration is largely to thank for our status as a major industry innovator and intellectual property holder. We're not only keeping pace with industry developments - we're guiding them. We're constantly pushing the creative and technological envelope to meet customer needs and stay ahead of the curve.
As members of the entertainment community, we know reliability is paramount. We maintain rigorous manufacturing standards, while providing industry-leading customer support services.
- Conventional lighting is made up of stationary lights that can be moved, but only via manual means of adjusting, or focusing the fixture with a yoke. However, some aspects of the lights, like brightne. Used . ss and color may be controlled remotely
by consoles or analog audio inputs. There are many different conventional lights used in stage lighting design including floodlights, pars, foll. Used . owspots, ellipsoidals, fresnels, strips and cycs. ...XLR
- A type of rugged multipin metallic connector for sound and lighting equipment generally having 3 pins for audio applications and 5 pins for DMX lighting. XLR plugs are very effective at reducing data. Used . and noise errors because a comparison is made between the signals carried by two of data cables, canceling out any differences. This relationship has given rise to the misnomer that XLR sta. Used . nds for eXternal Live Return. However, these connectors, sometimes called Cannons after the original manufacturer were originally called the Cannon X series, later versions added a Latch making the Cannon XL ...Lighting Desk
- Lighting control consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the ent. Used . ertainment industry and are normally placed at the FOH position or in a control booth.
All lighting control consoles can control dimmers which, in turn, control the brightness of. Used . the lights. Many modern consoles can also control intelligent lights (lights that can move and change colors), fog machines and hazers, and other special effects devices.
Consoles communicate wit...DMX-512
- DMX512, often shortened to DMX (Digital MultipleX), is a communications protocol used mainly to control stage lighting.
Developed by the Engineering Commission of USITT, the standard star. Used . ted in 1986, with subsequent revisions in 1990 leading to USITT DMX512/1990. ESTA took control of the standard in 1998 and began a revision process. The new standard, known officially as "Ent. Used . ertainment Technology — USITT DMX512–A — Asynchronous Serial Digital Data Transmission Standard for Controlling Lighting Equipment and Accessories", was approved by ANSI in November, 2004. This current standar...Cabinets
- A cabinet is a loudspeaker enclosure designed to prevent sound waves from the rear of the speaker combining with the sound waves from the front of the speaker creating
interference that would c. Used . ause the efficiency of the speaker to be compromised.. Used . ...