Used Design Spot 250 | For Sale Item# 38886

Elation
Elation
View more Design Spot 250
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Package of (18) Design Spot 250 in excellent condition. Priced per package.

Quantity 1
Condition Excellent / Few Scratches
Year 2006
Location North America
Case Type Dual
Previous Use Corporate
Warranty 7 Day

Description

Previously used on various corporate events. Cleaned, maintained, and tested by authorized technicians.

What's Included

(18) Design Spot 250
(36) Clamps
(9) Dual Flight Case

(Unit Price)
$12,296 USD
(Unit Price)
€11.783 EUR
Financing Available
Minimum Order of 1 Units
(Price for 1 units)
(Price for 1 units)
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Product Information

Design Spot 250

Design Spot 250

CONTROL FEATURES
? RDMX - Remote DMX Addressing
? USITT DMX-512 (16-bit resoultion)
? 16 DMX Channels
? 4 Digit L.E.D. Display
? On board menu settings
? 3-pin XLR serial input/output
? Sound active mode

OPTICAL SYSTEM
? High output luminous-parabolic dichroic reflector
? Beam Angle 17deg
? Replacable Beam 14deg, 20deg angles (included)
? All lenses are anti-reflection coated

COLORS
? 8 Dichroic filters, 7 color, UV + White
? Continuous, variable speed, color scrolling in both directions (rainbow effect)
? More color combinations possible by overlaying the multi-color dichroic gobo and the colors on the color wheel

Gobos
? 2 gobo wheels, 14 total Gobos, 11 metal, 3 glass
? 7 interchangeable, indexable, rotating Gobos plus open
? 7 interchangeable, static Gobos plus open
? 26.9mm outside diameter, 23mm image diameter
? Gobo Overlay (Gobo Morphing)

SHUTTER/DIMMER
? Variable speed Strobe effect (1-13) flashes per second
? Pre-set variable/random Strobe and dimming pulse effect
? Dual Flag mechanical dimming system

IRIS
? Beam narrow to wide (5% - 100%)
? Variable speed iris macros
? Small to large and large to small

FROST
? Variable Frost Control
? Hard edge to soft edge

PRISM
? 3-facet rotating/Indexing Prism
? Both directions at variable speeds
? Macro-function for rotating Gobos/rotating prisim combinations

FOCUS
? Motor driven focus from near to far

LAMP
? Phillips MSD 250/2 (250W, 8500degK, 3000 HRS)

PAN/TILT
? Automatic Pan / Tilit position correction
? Maximum PAN-movement 630deg in 2.0 secs (default) or 540deg (user selectable) / 16 bit
? Maximum TILT-movement 265deg in 1.5 secs / 16 bit
? Vector Mode with blackout

DIMENSIONS & WEIGHT
? 14L x 14W x 22.5H
? 51 lbs.

POWER SUPPLY
? Fuse: 8A (120V) or 4A (220V)
? Magnetic Ballast
? Voltage: AC 98V, 120V, 220V, 208V, 230V, 240V 50/60Hz
? Power Consumption 400W

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Elation Professional - Professional Lighting & Entertainment Products and Accessories!

Used Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.

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