The ColorWash 575E AT is an electronic ballast version of the ColorWash 575 AT
, which sees an expansion of features like flicker-free Opera
tion, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT enhances the fixture's user-friendliness. An EThern
et connection is also available with the 575E AT version. ColorWash 575E AT is ideal for theatres, TV studios, medium sized stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined Dimmer
/shutter and rotatable beam shaper, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT
follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
- A type of profile spot with two lenses allowing the adjustment of both the size of the beam and whether it is a hard or soft focus. This adjustment of focal length makes for an instrument with many us. Used . es around the stage. The flexibility is also vital when working with gobos. Also known (in the US) as a Zoom Ellipsoidal.. Used . ...Zone System
- A unique method introduced by photographers Ansel Adams and Fred Archer around 1940 for determining the best exposure and correct development for an individual photograph by way of analysiing the subj. Used . ects luminosities in terms of ten gray tones or ďzonesĒ labled 0 to IX or zero to nine and visualizing them as print densities. The zone system gives photographers a systematic method for ac. Used . curately identifing the relationship between the way they see the photographic subject and the results they achieve in their finished works....Fresnel Lens
- A Fresnel lens is a type of lens invented by Augustin-Jean Fresnel. Originally developed for lighthouses, the design enables the construction of lenses of large size and short focal length without th. Used . e weight and volume of material which would be required in a lens of conventional design.
The Fresnel lens (often pronounced FREZ-nell but usually the original fre-NELL in theatr. Used . ical and motion picture lighting applications) reduces the amount of material required compared to a conventional spherical lens by breaking the lens into a set of concentric annular sections known as Fresnel Discharge Lamp
- A high powered light source produced by an arcing electrical discharge between two electrodes suspended in a glass tube filled with gas, usually high or low pressure sodium gas, xenon, mercury vapor, . Used . or metal halide. This type of illumination is limited to applications such as followspots and projection, where dimming is accomplished by mechanical instruments. Many newer generation mov. Used . ing lights use discharge lamps, dichroic filters and mechanical dimming shutters....XLR
- A type of rugged multipin metallic connector for sound and lighting equipment generally having 3 pins for audio applications and 5 pins for DMX lighting. XLR plugs are very effective at reducing data. Used . and noise errors because a comparison is made between the signals carried by two of data cables, canceling out any differences. This relationship has given rise to the misnomer that XLR sta. Used . nds for eXternal Live Return. However, these connectors, sometimes called Cannons after the original manufacturer were originally called the Cannon X series, later versions added a Latch making the Cannon XL ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.