The ColorWash 575E AT
is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT
enhances the fixture's user-friendliness. An EThern
et connection is also available with the 575E AT version. ColorWash 575E AT
is ideal for theatres, TV studios, medium sized stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined Dimmer
/shutter and rotatable beam shaper, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
- LASER is acronym for Light Amplified by Stimulated Emission of Radiation and is an optical source that emits photons in a coherent concentrated beam. There are many different kinds of LASERs producing. Used . many different colors, but red is the most common.. Used . ...Effects
- Lighting Effects are devices that are generally used to enhance other lighting or staging devices, like foggers, lasers or pyrotechnics and can also have and effect on setting the mood during a perfor. Used . mance like color changers.
. Used . ...Pattern
- Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...Headsets and Beltpacks
- Headsets are simply headphones with an attached mic, usually a noise canceling condenser mic, used for communicating with other crew members during a show or production. Beltpacks provide power to the. Used . headset and allow it to be used remotely. . Used . ...Monitor
- Monitor can refer to a speaker used on stage, usually in the shape of a wedge, to enable musicians to hear each other or a studio monitor that is designed for audio production in recording, film, tele. Used . vision and radio studios.. Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.