The ColorWash 575E AT is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free Opera
tion, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT
enhances the fixture's user-friendliness. An EThern
et connection is also available with the 575E AT version. ColorWash 575E AT is ideal for theatres, TV studios, medium sized stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined dimmer/shutter and rotatable beam Shaper
, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
- An international system for the measurement of the amount of power used by a device, usually electrical in nature, equal to one joule per second or one ampere of current flowing at one volt. The watt. Used . is named after James Watt for his contributions to the development of the steam engine and in turn its contribution to electrical power.. Used . ...Lux
- The lux (symbol: lx) is the SI derived unit of illuminance or illumination. It is equal to one lumen per square metre.
The difference between the lux and the lumen is that the lux takes i. Used . nto account the area over which the luminous flux is spread. 1000 lumens, concentrated into an area of one square metre, lights up that square metre with an illuminance of 1000 lux. The same . Used . 1000 lumens, spread out over ten square metres, produces a dimmer illuminance of only 100 lux.
Achieving an illuminance of 500 lux might be possible in a home kitchen with a single fluorescent lig...Entire Stages
- An entire stage is a complete stage that generally include platforms, stairs and sometimes roofing, ranging in size from small easy to transport stages to large staging systems.. Used . . Used . ...Ampere
- The ampere (symbol: A) is the SI base unit of electrical current equal to one coulomb per second. It is named after André-Marie Ampère, one of the main discoverers of electromagnetism.
Th. Used . e ampere is that constant current which, if maintained in two straight parallel conductors of infinite length, of negligible circular cross-section, and placed 1 metre apart in vacuum, would . Used . produce between these conductors a force equal to 2×107 newton per metre of length....Zirconium Lamp
- A high intensity point source arc lamp using a zirconium oxide cathode in an argon-filled bulb. Used in powerful projectors because of its low emanation of long-wavelength light and its concentrated . Used . source. Similar to the Drummond light or Limelight, but differing from them chiefly in the employment of cones of zirconium instead of cylinders of lime. It has been outdated and replaced b. Used . y electric lighting....
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways â?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the â??personalityâ? of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them â??liveâ?, if they have the experience to do so.