The ColorWash 575E AT
is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT
enhances the fixture's user-friendliness. An EThern
et connection is also available with the 575E AT version. ColorWash 575E AT
is ideal for theatres, TV studios, medium sized stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined Dimmer
/shutter and rotatable beam shaper, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
- The lux (symbol: lx) is the SI derived unit of illuminance or illumination. It is equal to one lumen per square metre.
The difference between the lux and the lumen is that the lux takes i. Used . nto account the area over which the luminous flux is spread. 1000 lumens, concentrated into an area of one square metre, lights up that square metre with an illuminance of 1000 lux. The same . Used . 1000 lumens, spread out over ten square metres, produces a dimmer illuminance of only 100 lux.
Achieving an illuminance of 500 lux might be possible in a home kitchen with a single fluorescent lig...XY
- A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...Fresnel
- Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.
Fresnels use a spherical reflector, with the filament of the bulb ...Watt
- An international system for the measurement of the amount of power used by a device, usually electrical in nature, equal to one joule per second or one ampere of current flowing at one volt. The watt. Used . is named after James Watt for his contributions to the development of the steam engine and in turn its contribution to electrical power.. Used . ...Tungsten
- Tungsten (formerly wolfram) is a chemical element in the periodic table that has the symbol W (L. wolframium) and atomic number 74. A very hard, heavy, steel-gray to white transition metal, tungsten i. Used . s found in several ores including wolframite and scheelite and is remarkable for its robust physical properties. The pure form is used mainly in electrical applications but its many compounds. Used . and alloys are widely used in many applications (most notably in light bulb filaments and in space-age superalloys).
Pure tungsten is steel-gray to tin-white and is a hard metal. Tungsten can be ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.