The ColorWash 575E AT
is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free Opera
tion, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT
enhances the fixture's user-friendliness. An EThern
et connection is also available with the 575E AT version. ColorWash 575E AT
is ideal for theatres, TV studios, medium sized stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined dimmer/shutter and rotatable beam shaper, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
- A active circuit works with an external power supply and usually at low power. A passive circuit operates directly on a signal using the power coming from the surrounding circuitry.
This is the . Used . reason why an active crossover is, for the most part, placed before amps, containing integrated circuits (and line level signal processing). On the other hand a passive crossover is placed . Used . after amplifiers where power levels are much larger . ...Address
- In computer science, a memory address is a unique identifier for a memory location at which a CPU or other device can store a piece of data for later retrieval. In modern byte-addressable computers, e. Used . ach address identifies a single byte of storage; data too large to be stored in a single byte may reside in multiple bytes occupying a sequence of consecutive addresses. Some microprocessors . Used . were designed to be word-addressable, so that the typical storage unit was actually larger than a byte. Examples include the Texas Instruments TMS9900 and the National Semiconductor IMP-16, both of which used ...Lighting instruments
- There are a variety of instruments frequently used in the theater. Although they vary in many ways they all have the following four basic components in one form or another...
* Box/Housin. Used . g - a metal or plastic container to house the whole instrument and prevent light from spilling in un-wanted directions.
* Source of light (bulb or lamp).
* Lens or opening - the g. Used . ap in the housing where the light is intended to come out.
* Reflector - behind or around the light source in such a way as to direct more light towards the lense or opening.
- Staging is the process and art of selecting, designing, or modifying the performance space for a given purpose, be it theatrical, television, film or concert production. . Used . . Used . ...Fresnel
- Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.
Fresnels use a spherical reflector, with the filament of the bulb ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.