The ColorWash 575E AT
is an electronic ballast version of the ColorWash 575 AT, which sees an expansion of features like flicker-free operation, enhanced light output, extended lamp life, power-saving mode for economy and reduced weight. The same large LCD display - first featured on the ColorSpot 1200 AT enhances the fixture's user-friendliness. An EThern
et connection is also available with the 575E AT version. ColorWash 575E AT
is ideal for theatres, TV studios, medium sized stage applications and all applications requiring a 'workhorse' 575 lamp. Offering full CMY, variable CTO, colour-wheel with 5 replaceable colours + open, combined Dimmer
/shutter and rotatable beam Shaper
, indexable 360deg with continuous rotation. The standard zoom angle has a range of 12-34deg, extendable with an optional lens to make 24-60deg, currently the most flexible zoom range on the market. The ColorWash 575 AT follows the hugely popular Robe
Wash 575 XT Series fixture.
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products.
ROBE Lighting, Inc.
13807 N.W. 4th Street,
Sunrise, Florida 33325
Tel.: (954) 615-9100
Fax: (954) 615-9105
- A truss is a static structure consisting of straight slender members interconnected at joints into triangular units used for spanning or bracing structural elements.. Used . . Used . ...Pre-Amp
- A preamp amplifies a low level signal to normal line level before it is processed further and amplified further. It is generally used to give a boost to signals coming from Mics, Turntables and other . Used . audio equipment that has no amperage to the signal it produces.
. Used . ...Limelight
- An early type of stage light in which an intense illumination is created when an oxyhydrogen flame is directed at a cylinder of lime, also called calcium oxide, which can be raised to white incandesce. Used . nce heat without melting to producing brilliant illumination. The limelight effect was discovered early in the nineteenth century by Goldsworthy Gurney. A Scottish engineer, Thomas Drummond. Used . , realized that the light would be useful for surveying and built a working version in 1826. Therefore, the light is sometimes known as the Drummond Light. The Limelights first theatrical use was in 1837 at ...Lighting instruments
- There are a variety of instruments frequently used in the theater. Although they vary in many ways they all have the following four basic components in one form or another...
* Box/Housin. Used . g - a metal or plastic container to house the whole instrument and prevent light from spilling in un-wanted directions.
* Source of light (bulb or lamp).
* Lens or opening - the g. Used . ap in the housing where the light is intended to come out.
* Reflector - behind or around the light source in such a way as to direct more light towards the lense or opening.
- An LED or light emitting diode is simply a tiny light bulb that fits into an electrical circuit. However, unlike ordinary bulbs, LEDs don't have a filament that will burn out and generate very little . Used . heat. They are illuminated by the movement of electrons in a semiconductor material and last as long as a standard transistor.. Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.