|Quantity||4 (Minimum Order 2)|
|Condition||Excellent / Few Scratches|
Previously used on various rentals. Cleaned, maintained, and tested by authorized technicians.Find It on UsedLighting.com
(1) ColorWash 2500E AT
(1) Dual Flight Case with the purchase of (2) units.
(2) Omega Brackets
(1) Safety Cable
(1) L6-20 Connection
Robe's new ColorWash 2500E AT moving light fixture is the sister of the ColorSpot 2500E AT and Robe's most powerful wash unit to date.
It is designed for use in large lighting rigs and for venues and installations of all types needing a really punchy moving light effect. It is also ideal for outdoor applications including washing large surface areas (like walls and buildings), and as a searchlight effect.
The ColorWash 2500E AT is fitted with the Phillips MSR Gold 1200 FastFit lamp and a 1400W electronic ballast for the flicker-free operation demanded by TV and fashion environments. The unique optical system maximises brightness and features a high luminous glass reflector.
The colour facility includes both CMY and CTO colour mixing systems and two colour wheels, each with 6 'slot+lock' colour options plus open, offering plenty of variety, from the richest saturates to the subtlest pastels, including 63 colour macros.
Each colour wheel rotates at variable speeds in both directions. There's an option for 'random colour' selection via audio input, or for straightforward 'auto random' colour selection.
The dimmer/shutter unit encompasses the full range of dimming and also produces a highly effective variable-speed Strobe effect of 1- 12 FPS. Variable 'random pulse' effects can be activated via pre-programmable macros.
The unit's standard zoom range is 7 to 44 degrees. A front-fitting PC lens option gives a 6 - 35 degree zoom, and a front-fitting wide-angle lens offering a 75 87 degree range. All these options make the ColorWash 2500E AT one of the most dynamic fixtures in Robe's inventory.
The unit is controlled, set and addressed via Robe's Navigation System (RNS) which features a practical, easy-to-read graphic LCD display, two control buttons for the control wheel and comes complete with inbuilt demo sequences.
DMX operation offers the choice of 5 DMX protocol modes utilising 17, 21, 23, 24 or 30 control channels. In addition to standard DMX control, the fixture fully supports Remote Device Management (RDM) operation, and is ready for this ??out of the box with no additional installation required.
The CW 2500E AT has an Ethernet port, supports ArtNet and ACN protocols, and can also operate in 'stand alone' mode.
The colour wheel positioning, zoom function and dimmer shutter all have 8 bit or 16 bit resolution for the fine stepless operation of these effects, specially helpful for long fade-time cues.
The fans can be operated in both ??Auto or ??High modes and are virtually silent.
The LCD display on the unit's base is easy to read and understand, and Robe has included an inbuilt analyser to make fault-finding, pre-setting and diagnostics as simple and intuitive as possible. The ColorWash 2500E AT features 3 editable programs of up to 99 steps each, also easily programmed via the LCD display.
Lamp: MSR Gold 1200 FastFit
Base: PGJX 50
Control: Automatic and remote on/off
High luminous glass reflector
Zoom angle from 7deg to 44deg
Wiring options: 208/230/250V, 50/60Hz
Power consumption: 1670 VA at 230V/50Hz
Height: 641 mm (25,2??) (head in horizontal position)
Width: 542 mm (21,3??)
Depth: 545 mm (21,5??)
Weight: 41 kg (90,4 lbs)
Maximum ambient temperature (Ta): 40degC (104degF)
Maximum surface temperature: 130degC (266degF)
Control and Programming
Protocol: USITT DMX-512, RDM support
Control channels: 17, 21, 23, 24 and 30
DMX channels: 5 protocol modes
Setting & Addressing: ROBE Navigation System (RNS)
Built-in demo sequences
Display: Blue/white LCD graphic
Pan/Tilt resolution: 16-bit
Color wheel 1 positioning: 8- or 16-bit
Color wheel 2 positioning: 8- or 16-bit
Zoom: 8- or 16-bit
Dimmer: 8- or 16-bit
Controllable speed of fans
Movement control: Tracking or vector
Built-in analyzer for easy fault finding
Ethernet port: Art-Net protocol, ready for ACN
Data in/out: Locking 3-pin XLR & 5-pin XLR
3-editable programs, each up to 99 steps
Cyan: 0 - 100%
Magenta: 0 - 100%
Yellow: 0- 100%
CTO: 0- 100%
Colour wheel 1: 6 replaceable "SLOT&LOCK" colours + open
Colour wheel 2: 6 replaceable "SLOT&LOCK" colours + open
Dimmer/Shutter: Full range dimming and variable Strobe effect, Electronic strobing ??ZAP
Zoom: 7deg - 44deg (standard front Fresnel lens), 87deg (wide-angle front lens),6deg - 35deg (front PC lens)
Mounting points: 8 pairs of -turn locks
Fastening system: ROBE's own 2x Omega clamps
Fixation option: Pan/Tilt-lock mechanism
Remote Control IR
Module of lens D200 PC
Robe Show lighting . Manfuacturer of high quality Intelligent Lighting systems and products. ROBE Lighting, Inc. Headquarters: 13807 N.W. 4th Street, Sunrise, Florida 33325 Tel.: (954) 615-9100 Fax: (954) 615-9105
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.
ColorWash 2500E AT - Corporate used ColorWash 2500E AT.