An extraordinarily bright, silent Spotlight
with an innovative look, that is equipped with a wide zoom for professional and entertainment settings having more limited budgets.
? Exceptionally reliable HMI 575 metal iodide lamp.
? New optical unit with optimal luminous efficiency.
? 15deg - 30deg electronic linear zoom (14.8deg -28.5deg).
? Electronic focusing.
Used Clay Paky
Manufacturer of moving lights, effects, and image projectors.
- A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...Fresnel
- Fresnels are typically 8-, 6- or 4-inch, referring to the diameter of the lens. This light is named after Augustin-Jean Fresnel who invented the distinctive Fresnel lens which has a 'stepped' appearan. Used . ce instead of the 'full' or 'smooth' appearance of other lenses. The stepped nature of the lens causes a corresponding pattern of circles of light, so Fresnel lenses are usually 'stippled' on. Used . the flat side. This pattern of small bumps helps to break up the light passing into the lens to smooth out its eventual pattern.
Fresnels use a spherical reflector, with the filament of the bulb ...Watt
- An international system for the measurement of the amount of power used by a device, usually electrical in nature, equal to one joule per second or one ampere of current flowing at one volt. The watt. Used . is named after James Watt for his contributions to the development of the steam engine and in turn its contribution to electrical power.. Used . ...Subtractive Color
- Subtractive color explains the theory of mixing paints, dyes, inks, and natural colorants to create colors which absorb some wavelengths of light and reflect others. The color that an object appears t. Used . o have is based on what parts of the electromagnetic spectrum are reflected by it, or conversely by what parts of the spectrum are not absorbed.
Anything that is not additive col. Used . or is subtractive color. No other color mixing systems are known, except the imperfect system resulting from mixing real pigments, something that is very confusing nowadays.
Color is not an absolu...Wrap
- A term used in Rigging for a short sling used to wrap a beam or truss or the action of wrapping a truss. In film and television production WRAP is an acronym for Wind Reel And Print and announces the. Used . end of a scene or session. . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.