An extraordinarily bright, silent Spotlight
with an innovative look, that is equipped with a wide zoom for professional and entertainment settings having more limited budgets.
? Exceptionally reliable HMI 575 metal iodide lamp.
? New optical unit with optimal luminous efficiency.
? 15deg - 30deg electronic linear zoom (14.8deg -28.5deg).
? Electronic focusing.
Used Clay Paky
Manufacturer of moving lights, effects, and image projectors.
- A conventional lighting fixture with a remotely controlled colored changeable filter over the lens. There are three kinds of mechanisms used in color changers, a wheel with lens sized holes into which. Used . colored gells can be placed, multiple fixed filters that can be moved in and out of the beam to mix the colors and a scroller which uses continuous, usually dichroic, filters to mix an even . Used . greater number of colors.
- Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...LED
- An LED or light emitting diode is simply a tiny light bulb that fits into an electrical circuit. However, unlike ordinary bulbs, LEDs don't have a filament that will burn out and generate very little . Used . heat. They are illuminated by the movement of electrons in a semiconductor material and last as long as a standard transistor.. Used . ...Gobo
- A gobo is a thin circular plate with holes cut in it to create patterns of projected light. The name may be derived from a contraction of "go between", or from "GOes Before Optics". Another possible . Used . origin is from the early days of Hollywood. When the Director of Photography wanted daylight excluded from some area of the set, he'd say "GO BlackOut". Members of the crew would run around p. Used . utting black material between the sun and the set.
A gobo may be made from thin metal sheet, usually steel, or from etched glass, depending upon the complexity of the design. Glass gobos often incCyc Light
- Cyc lights, also known as strip lights are long housings typically containing multiple lamps arranged along the length of the instrument and emitting light perpendicular to its length. Lamps are often. Used . covered with individual gels of multiple colors (somet . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.