An extraordinarily bright, silent Spotlight
with an innovative look, that is equipped with a wide zoom for professional and entertainment settings having more limited budgets.
? Exceptionally reliable HMI 575 metal iodide lamp.
? New optical unit with optimal luminous efficiency.
? 15deg - 30deg electronic linear zoom (14.8deg -28.5deg).
? Electronic focusing.
Used Clay Paky
Manufacturer of moving lights, effects, and image projectors.
- An amp rack is any furniture, fixture, or case where multiple amplifiers are mounted in slots or grooves, generally used in touring systems because they are easy to transport.
. Used . . Used . ...Software Console
- Softare Lighting Consoles act just like hardware lighting consoles except that they are software driver and usually run off of a desktop or laptop computer accompanied by a DMX converter. Lighting con. Used . trol consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the entert. Used . ainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. Many modern consoles ...Video
- Video is the technology of electromagnetically recording, processing, transmitting, and reconstructing a sequence of images that represent scenes in motion.
. Used . . Used . ...Dichroic
- In optics, the term dichroic has two related but distinct meanings. A dichroic material is one which either causes light to be split up into distinct beams of different wavelengths (colours), or, one . Used . in which light rays having different polarizations are absorbed by different amounts.
The original meaning of dichroic (from the Greek dikhroos, two-coloured) refers to any optic. Used . al device which can split a beam of light into two beams with differing wavelengths. Such devices include mirrors and filters, usually treated with optical coatings, which are designed to reflect light over a ...Pattern
- Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the bulb, reflecto. Used . r and lens assembly. Different mounting positions for the bulb (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all a. Used . ffect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In Ellipsoidal Reflector Spotlights (ERS) and their derivatives (see below), there are two beams of light emit...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.