An extraordinarily bright, silent Spotlight
with an innovative look, that is equipped with a wide zoom for professional and entertainment settings having more limited budgets.
? Exceptionally reliable HMI 575 metal iodide lamp.
? New optical unit with optimal luminous efficiency.
? 15deg - 30deg electronic linear zoom (14.8deg -28.5deg).
? Electronic focusing.
Used Clay Paky
Manufacturer of moving lights, effects, and image projectors.
- Pre-rig Trusses have bars with lights and other gear attached so that they can be lowered into a suitable operating position for a show or raised to store or transport without having to remove the gea. Used . r from the truss.. Used . ...5000 - 10000 Lumens
- A projector that produces 5000 - 10000 lumens of light.. Used . . Used . ...Followspot
- Followspot is a generic term used to describe any number of lighting instruments used to highlight performers on stage. A followspot operator moves the followspot to follow the performer or to accent. Used . some action or prop etc. Somtimes called limes, dating back to the days of limelight.
Followspots are generally much brighter than conventional lighting instruments, and often u. Used . se a lamp with a considerably higher color temperature. Laser
- LASER is acronym for Light Amplified by Stimulated Emission of Radiation and is an optical source that emits photons in a coherent concentrated beam. There are many different kinds of LASERs producing. Used . many different colors, but red is the most common.. Used . ...Audio
- Audio is the science and art of recording or reproducing sound through mechanical or electronic means. The field includes many disciplines, such as electrical engineering, acoustics, and music with de. Used . sign, installation and operation of sound recording and reproduction equipment as the focus. . Used . ...
Used Moving Lights
Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting.
Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator.
Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators.
Moving lights are hooked up to a lighting control console and send data to it in one of three ways ‚?? through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard).
So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the ‚??personality‚?Ě of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them ‚??live‚?Ě, if they have the experience to do so.