Altman
View more 154
View more Scoop Lights
| Quantity | 1 |
| Condition | Normal Wear & Tear |
| Location | North America |
| Previous Use | Other |
| Warranty | 7 Day |
A lightweight multi-purpose reflector floodlight, a scoop produces a very diffused soft edged beam. The 154 scoop produces a beam diameter of 15 feet at a distance of 7.5 feet. It is designed to operate high color temperature tungsten halogen lamps, as well as standard incandescent lamps.
This fixture is used in theatre and television as a flood light where space limitation is a factor. Other uses include puppet theatres, museums and show windows. The scoop is an ideal fixture for set hallway and window backings where color blending and smooth even washes of light are required.
(4) 154 Scoop Lighting Fixture
HDQ-4K35 |
| Barco |
| All HDQ-4K35 |
| 3 Available |
| $34,000 USD |
| €29.529 EUR |
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MAC Quantum Profile |
| Martin Professional |
| All MAC Quantum Pr... |
| 26 Available |
| $3,812 USD |
| €3.150 EUR |
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VL4000 Spot |
| Vari-Lite |
| All VL4000 Spot |
| 60 Available |
| $3,795 USD |
| €3.296 EUR |
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MAC Viper Performance |
| Martin Professional |
| All MAC Viper Perf... |
| 30 Available |
| $7,395 USD |
| €6.423 EUR |
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J-Series |
| db audiotechnik |
| All J-Series |
| 1 Available |
| $302,200 USD |
| €249.750 EUR |
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WildBeam |
| Ayrton |
| All WildBeam |
| 100 Available |
| $990 USD |
| €860 EUR |
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VT4882 |
| JBL |
| All VT4882 |
| 4 Available |
| $1,000 USD |
| €868 EUR |
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KIVA |
| L-Acoustics |
| All KIVA |
| 60 Available |
| $1,597 USD |
| €1.320 EUR |
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Altman?. A name that stands for quality, durability, pride, and excellence?. a name synonymous with tradition, dedication, and design innovation? a family name. For over fifty years the Altman name has stood true as one of the leading...
Lightweight multi-purpose ellipsoidal reflector floodlights, both Scoops produce a very diffused soft edged beam. The 154 scoop produces a beam diameter of 15 feet at a distance of 7.5 feet, and the 160 scoop produces a beam diameter that varies from 13.5 to 20.7 feet at the same distance. Both luminaires are designed to operate high color temperature Tungsten Halogen lamps, as well as standard incandescent lamps.
Altmanâ?¦. A name that stands for quality, durability, pride, and excellenceâ?¦. a name synonymous with tradition, dedication, and design innovationâ?¦ a family name. For over fifty years the Altman name has stood true as one of the leading innovators of theatrical, architectural, and film and video lighting available on the market today. Charles Altman, the patriarch and founder, whose spirit is still alive in the company today, founded the company based on the ideals of a top quality product available at an affordable price. Ronald Altman, whose memory still inspires loyalty and will always live on as the company grows. Robert Altman, a son who boldly leads the company into the 21st century with state of the art innovations and high quality product with his father Charlie's philosophy still in mind. Randall Altman, a grandson, who is stride by stride with Robert maintaining family pride in excellence. As the generations continue through the constant pursuit of excellence, these individuals as well as other family members and complete staff of employees (who are all treated as family members) strive to keep the family philosophy alive with customer satisfaction, personal service, and a quality product that has proved to last through the test of time.
Scoop lights, or Ellipsoidal Reflector Floodlights as they are properly known, are simple and intensely powerful lighting fixtures, mainly used for purposes such as rehearsals rather than live productions, as they are mostly unsuitable for specific lighting needs. Scoop lights do not have any lens â?? rather, they just have one high-wattage lamp and are covered by a curved metal reflector dome, which creates a large, bright pool of light. They are ideal for rehearsals and also for work situations where only general lighting is needed, yet they are rarely used in actual productions or performances as there is no way for cutting or altering the size of the light beam they produce. Some theatres have been known to use scoop lights during productions, although the occurrence is very rare. They can be used as a kind of striplight, capable of illuminating a cyclorama, or for simply flooding the stage with downlight, though Fresnel lights are the preferred tool for accomplishing this. One aspect of scoop lights that makes them practical for non-performance times is their cost. As they have no lens or specialized aspects, they are extremely cheap to manufacture. They are also easy to maintain, and setting them up and taking them down again can be achieved very quickly. They are also easier to operate in practice situations, as there is no need to use the light board to control them. Scoop lights can be fitted with gels, and so it is possible to have different colored lighting with them, though simple white light is by far the most common.
