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XS700/C Wash Moving Lights

Studio Due XS-700C

Studio Due XS-700C moving head wash can be used for live or TV applications. Takes a 700W, discharge lamp, excludes lamp

Studio Due Moving Lights

Studio Due has been creating lighting systems for live performances, discotheques and television studios since 1982. Through constant research and innovation, and the use of premier-quality materials, Studio Due has established an international reputation as one of the market leaders in the field of professional lighting. In 1998 Studio Due has enlarged its range of products - moving head spots - outdoor multirays effects - controllers introducing a new line of - colour changer for architectural light - moving par concept specifically designed to satisfy the requirements of the architectural lighting; the most famous and world-wide appreciated among these products is the CityColor. Studio Due thanks to continuos investments is today able to produce inside the company most of the components needed in the final assembling of their products, that means manufacture high quality fixtures without loosing the flexibility in the production.

Software Console - Softare Lighting Consoles act just like hardware lighting consoles except that they are software driver and usually run off of a desktop or laptop computer accompanied by a DMX converter. Lighting con. Used . trol consoles (also called lighting boards or lighting desks) are electronic devices used in theatrical lighting design to control multiple lights at once. They are used throughout the entert. Used . ainment industry and are normally placed at the FOH position or in a control booth. All lighting control consoles can control dimmers which, in turn, control the brightness of the lights. Many modern consoles ...

Moving Mirror Lights - A common term for a moving mirror stage/concert light. This light in particular is common is clubs, discos and lounges. As opposed to the moving head lights that are more common for theatre, concerts. Used . and stage events. . Used .

XY - A stereo recording technique using two identical cardioid or directional microphones placed next to each other at an angle of 90 degrees. This method is employed to overcome the coverage problems of . Used . AB recording. The main disadvantage being that audio from the center of the stage arrives at a 45 degree angle to the mics where the response is not as efficient leaving an apparent gap in t. Used . he stereo field. ...

Motors - Motors are any electrical or mechanical device used to power lifts that aid the ground support crew in placing gear up onto stages or trusses.. Used . . Used . ...

Enhancers - Enhancers are outboard audio effects used to improve the clarity of the sound.. Used . . Used . ...

Moving Lights

Moving lights, or intelligent lighting as they are sometimes called, are basically a type of stage lighting that is able to move due to its integrated mechanical elements, which go beyond the moving parts that are found in more traditional, non-moving lighting. Automated lighting such as moving lights is highly valued by stage lighting technicians as through them, it is possible to create highly complex special effects that simply cannot be made using standard, non-moveable lights. It should be noted however, that when it comes to intelligent lighting, the real intelligence lies with the programmer of the show, rather than the lighting equipment or any operator. Moving head lights, also called moving head luminaires, are highly versatile lighting instruments capable of performing multiple lighting functions at once. They have largely superseded the use of multiple non-moving lights to create special effects, which required many lights and a large amount of skill on behalf of the operators. Moving lights are hooked up to a lighting control console and send data to it in one of three ways – through an Ethernet control (a relatively new technology), analogue control (now almost obsolete), or DMX, (which is now the industry standard). So long as they have been properly programmed, the optics of wiggly lights can be altered in many ways, allowing for the “personality” of the lights to be adapted almost instantaneously, depending on the requirements of the operator. Typically, moving lights will be pre-programmed before a production and controlled using simple commands, although some more experience operators may prefer to control them “live”, if they have the experience to do so.